Polychromy in Corinthian Anatomical Votives
, 2023 This study examines a sample of 103 anatomical votives from the Sanctuary of Asklepios at Corinth to identify the colors with which they were painted and explore the potential symbolic meaning of those colors. I challenge the prevailing assumption that the Corinthian votives were painted primarily according to a gendered color scheme and, in doing so ...
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Rendering mortars in Medina Azahara, Part II: Material characterization and alteration causes
Materiales de Construccion, 1997 In the present work, the depicted coat that covers some of the mortars exposed to weathering in the Medina Azahara archaeological site is .studied. That coat is characterized from the compositional and physical viewpoint and the main causes for its decay
M. T. Blanco-Varela
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Connecting the beholder with the artwork: Thoughts on gaining liveliness by the usage of paraphernalia. [PDF]
Iperception, 2023 Carbon CC.
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X-ray Fluorescence Analysis of Pigments in Gothic Frescoes, Coats of Arms, and Polychromy on Sculptures on the Triforium in St. Vitus Cathedral on the Territory of the Czech Kingdom in the 14th Century. [PDF]
Materials (Basel), 2022 Čechák T +4 more
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, 2020 This music score was submitted for the Kaleidoscope 2020 Call for Scores, an open access collaboration with the UCLA Music Library.
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Culture of colour in the city [PDF]
Arhitektura i Urbanizam, 2009 The phenomenon of colour is examined through the evolution of colour and development of culture of colour, which significantly affects the colouristic priorities of people and the colour of the city itself.
Vasiljević-Tomić Dragana
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Les Cahiers de l'École du Louvre, 2019 The reintroduction of polychromy on the façades of nineteenth-century Parisian churches with paintings on enamelled lava took place, between 1827, the date on which Ferdinand-Henri-Joseph Mortelèque implement the first successful trials of painting on ...
Josette Saint-Martin
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Conservation of a Terracotta Acroterion from an Unknown Temple in Aegean Thrace
Българско е-Списание за Археология, 2013 The terracotta acroterion from the permanent exhibition of the National Archaeological Museum in Sofia most probably represents the goddess Artemis.
Sevdalina Neykova
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The Network Initiative for Conservation Science (NICS): a model of collaboration and resource sharing among neighbor museums. [PDF]
Herit Sci, 2021 Pozzi F, Basso E.
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Zurbarán attribution hypothesis supported by pigment analysis and multiband images observation of four paintings by his workshop. [PDF]
Sci Rep, 2023 Moreno-Soto J +6 more
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