Results 41 to 50 of about 2,029 (206)
Sculpture, sculpteurs et ateliers (?) à Chambéry et alentour (vers 1480-v. 1530)
CeROArt : Conservation, Exposition, Restauration d'Objets d'Art, 2021 This paper is the critical account of some of the contributions of the thesis defended by Me S. Boisset-Boisset on medieval sculpture in Western Savoy, 1480-1530, at Grenoble Alpes University, in November 2015. It is supported by a rigorous investigation
Laurence Riviere Ciavaldini
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The Colours of medieval English Alabaster Panels. Polychromy, production and perception
, 2023 Cet ouvrage a été réalisé pour Ausonius Éditions par UN@ Éditions, plateforme régionale d'édition universitaire numérique en libre accès. Between c. 1350 and 1550, English sculptors carved thousands of panels depicting religious scenes from alabaster ...
MOUNIER, Aurélie +4 more
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Il progetto "D12” - Promuovere il rilievo 3D per stimolare la ricerca
Archeomatica, 2018 The Archaeological Museum of Bologna has tested the application of digital technologies on some objects within the project "D12", aimed to connect 3D documentation with polychromy data.
Federica Guidi +5 more
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Zephyrus, 2022 The decoration of a togatus Roman sculpture found in Salamanca in 2015 has been examined to identify the applied pigments. The study was performed using environmental scanning electron microscopy –ESEM– with an energy-dispersive X-ray analyser –ESEM-EDX–
Jorge Souto +5 more
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Réflexions autour de la conservation-restauration de figurines en terre cuite
Pallas, 2023 Between 2015 and 2020, many Gallo-Roman terracotta figurines from three collections (musée Anne de Beaujeu, musée Bargoin, and musée archéologique de l’Oise) were studied and underwent a process of preservation-restoration.
Carine Bayol, Marie Petit
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Between colour and pattern: Ruskin’s ambivalent theory of constructional polychromy
Interstices, 2017 John Ruskin offered an alternative paradigm to the debates on constructional polychromy in Victorian Britain. The paper considers the larger context of the debate and Ruskin’s place within it, which is that he favoured the decorative use of innate ...
Anuradha Chatterjee
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Color and Light: A Hellenistic Terracotta Figurine of a Maenad from Myrina
Heritage, 2023 During the Hellenistic period and under the growing influence of the art of painting, the polychromy of Greek terracotta figurines focused not only on an elaborate rendering of color, but also on the interplay of light and shadow.
Brigitte Bourgeois +2 more
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Couleurs et polychromie dans l’Antiquité
Perspective, 2018 The perception of a classical antiquity draped entirely in white that formed over time in Western imagination has petered out. Though the first discoveries relating to the polychromy of Greek and Roman art go back to the nineteenth century, especially in
Adeline Grand-Clément
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Heritage, 2023 A limestone relief fragment with a figure in a winged disk from the fifth-century BCE Hall of 100 Columns at Persepolis in southwestern Iran that entered the Harvard Art Museums’ collections in 1943 preserves significant traces of its original coloration
Susanne Ebbinghaus +4 more
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, 2023 Notizia riguardo l'11th Round Table on Polychromy in Ancient Sculpture and Architecture (Roma, 9-11 novembre 2022)
Sara Lenzi
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