Results 31 to 40 of about 4,060 (212)
Zephyrus, 2022 The decoration of a togatus Roman sculpture found in Salamanca in 2015 has been examined to identify the applied pigments. The study was performed using environmental scanning electron microscopy –ESEM– with an energy-dispersive X-ray analyser –ESEM-EDX–
Jorge Souto +5 more
doaj +1 more source
Il progetto "D12” - Promuovere il rilievo 3D per stimolare la ricerca
Archeomatica, 2018 The Archaeological Museum of Bologna has tested the application of digital technologies on some objects within the project "D12", aimed to connect 3D documentation with polychromy data.
Federica Guidi +5 more
doaj +3 more sources
Réflexions autour de la conservation-restauration de figurines en terre cuite
Pallas, 2023 Between 2015 and 2020, many Gallo-Roman terracotta figurines from three collections (musée Anne de Beaujeu, musée Bargoin, and musée archéologique de l’Oise) were studied and underwent a process of preservation-restoration.
Carine Bayol, Marie Petit
doaj +1 more source
La policromía de la escultura ibérica [PDF]
, 2013 Wie fast alle vormodernen Skulpturen, waren auch die Bildwerke der Iberer ursprünglich bemalt. Diese Bemalung spiegelt bis zu einem gewissen Grad auch die geistige Auseinandersetzung mit der Welt innerhalb der iberischen Kultur wider.
Mielke, Dirk Paul
core +1 more source
Color and Light: A Hellenistic Terracotta Figurine of a Maenad from Myrina
Heritage, 2023 During the Hellenistic period and under the growing influence of the art of painting, the polychromy of Greek terracotta figurines focused not only on an elaborate rendering of color, but also on the interplay of light and shadow.
Brigitte Bourgeois +2 more
doaj +1 more source
Heritage, 2023 A limestone relief fragment with a figure in a winged disk from the fifth-century BCE Hall of 100 Columns at Persepolis in southwestern Iran that entered the Harvard Art Museums’ collections in 1943 preserves significant traces of its original coloration
Susanne Ebbinghaus +4 more
doaj +1 more source
Looking at Colour on post-Antique Sculpture [PDF]
Journal of Art Historiography, 2011 Review of: Vinzenz Brinkmann, Oliver Primavesi, Max Hollein, (eds), Circumlitio. The Polychromy of Antique and Medieval Sculpture. Liebighaus Skulpturensammlung, Frankfurt am Main, 2010.
Jim Harris
doaj
Between colour and pattern: Ruskin’s ambivalent theory of constructional polychromy
Interstices, 2017 John Ruskin offered an alternative paradigm to the debates on constructional polychromy in Victorian Britain. The paper considers the larger context of the debate and Ruskin’s place within it, which is that he favoured the decorative use of innate ...
Anuradha Chatterjee
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Couleurs et polychromie dans l’Antiquité
Perspective, 2018 The perception of a classical antiquity draped entirely in white that formed over time in Western imagination has petered out. Though the first discoveries relating to the polychromy of Greek and Roman art go back to the nineteenth century, especially in
Adeline Grand-Clément
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The Seville Cathedral altarpiece: A microbiological and chemical survey of the dust [PDF]
, 2013 4 pages, 4 figures, 5 references.-- Proceedings of the International Congress on Science and Technology for the Conservation of Cultural Heritage, held 2-5 october, Santiago de Compostela, España.The altarpiece of the Seville Cathedral was built between ...
Hermosín, Bernardo +2 more
core +1 more source