Results 91 to 100 of about 2,017 (203)
Olympian Jupiter. Winckelmann and Quatremère de Quincy on Ancient Polychromy
A number of Western museums may boast of their important collections of Classical Greek and Roman art. Marble statues of deities or heroes from Classical Antiquity, and important works in painting and architecture from different historical epochs, have ...
Hodne, Lasse
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A Multianalytical Approach for the Characterisation of Materials on Selected Artworks by Monogrammist IP. [PDF]
Šefců R +5 more
europepmc +1 more source
This music score was submitted for the Kaleidoscope 2020 Call for Scores, an open access collaboration with the UCLA Music Library.
openaire +1 more source
The study of ancient sculptural polychromy increasingly relies on non-invasive analytical approaches capable of identifying pigments and reconstructing original decorative schemes while preserving the integrity of archaeological objects.
Donata Magrini +7 more
doaj +1 more source
X-ray Fluorescence Analysis of Pigments in Gothic Frescoes, Coats of Arms, and Polychromy on Sculptures on the Triforium in St. Vitus Cathedral on the Territory of the Czech Kingdom in the 14th Century. [PDF]
Čechák T +4 more
europepmc +1 more source
The reintroduction of polychromy on the façades of nineteenth-century Parisian churches with paintings on enamelled lava took place, between 1827, the date on which Ferdinand-Henri-Joseph Mortelèque implement the first successful trials of painting on ...
Josette Saint-Martin
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Connecting the beholder with the artwork: Thoughts on gaining liveliness by the usage of paraphernalia. [PDF]
Carbon CC.
europepmc +1 more source
Table ronde — "Polychromy in ancient Sculpture and Architecture"
15th -16th November, 2016, Centre de recherche et de restauration des musées de France (C2RMF), Palais du Louvre - porte des Lions 14, quai François Mitterrand, Paris 8th International Round Table Polychromy in ancient Sculpture and Architecture ...
irhis
core
Censire la policromia. Le lastre Campana del Museo Nazionale Romano
Il Museo Nazionale Romano conserva centinaia di lastre Campana, sia provenienti da collezioni storiche che da importanti contesti archeologici, che solo in minima parte sono state studiate e pubblicate. Molte di queste conservano tracce di colore, spesso
Giulia D'Angelo +2 more
core
Conservation of a Terracotta Acroterion from an Unknown Temple in Aegean Thrace
The terracotta acroterion from the permanent exhibition of the National Archaeological Museum in Sofia most probably represents the goddess Artemis.
Sevdalina Neykova
doaj

