Results 11 to 20 of about 1,307 (204)

Dermoscopic Features and Their Association With Breslow Thickness of Facial Lentigo Maligna in Koreans: A Multi-Center Retrospective Study. [PDF]

open access: yesJ Dermatol
ABSTRACT Background Owing to the rarity of lentigo maligna (LM) and lentigo maligna melanoma (LMM) in East Asians, their dermoscopic features are underreported. The prognosis and management of LM and LMM depend on the Breslow thickness (BT). However, the association between BT and the dermoscopic features of LMM is largely unknown. Objectives To report
Lee J   +5 more
europepmc   +2 more sources

The polychromy in the treasury of the Wawel Cathedral by Józef Mehoffer, 1900-1902

open access: yesFolia Historica Cracoviensia, 2000
The article concerns the polychromy in the Wawel Cathedral painted by Józef Mehoffer (1900-1902).
Beata Studziżba
doaj   +2 more sources

Multidisciplinary Approach Applied to the Diagnosis of the Facade of the Arciprestal Church of Santa María de Morella (Castellón, Spain). [PDF]

open access: yesScanning, 2019
This paper deals with the development of a multidisciplinary study on the current state of conservation of the facade of the Arciprestal Church of Santa María de Morella (Castellón, Spain), a work of the Gothic period of great historical and artistic value.
Ferrazza L   +9 more
europepmc   +2 more sources

"Hungarian Mine Green", a Semi-Natural Copper Pigment from Banská Bystrica Region (Slovakia) - Analytical Evidence and Laboratory Replication. [PDF]

open access: yesChempluschem
Hungarian mine green, a pigment precipitated from drainage water containing basic copper sulfates and carbonates, represented an important product for painters with the peak of its production in the 16th and 17th centuries in the Banská Bystrica region (Slovakia).
Žůrková M   +4 more
europepmc   +2 more sources

Polychromy in Modern Russian Sculpture [PDF]

open access: yesJournal of Siberian Federal University. Humanities & Social Sciences, 2022
This publication analyzes the possibilities of using polychromy in the creative practice of Russian sculptors. The emphasis is on highlighting the main criteria for the use of color. Hermeneutical and analytical approaches are used in combination with induction and comparison.
Tsarinnyy, Ilya V.   +3 more
openaire   +2 more sources

Evolution of the polychromy in L’viv architecture in the period of the second half of the 17th century to the first half of the 19th century

open access: yesTechnical Transactions, 2017
The article deals with the question of the evolution of polychromy in the L’viv architecture in the period of the second half of the 17th century to the first half of the 19th century.
Kazantseva Tetiana
doaj   +2 more sources

Couleurs du passé/Couleurs du présent. La polychromie d’architecture chez Viollet-le-Duc / Colours of the Past/ Colours of the Present. The Polychromy of the Architecture of Viollet-le-Duc [PDF]

open access: yesAnastasis: Research in Medieval Culture and Art, 2016
Viollet-le-Duc has always been attentive to the polychromy of the medieval churches. This article proposes to dwell on the technique developed by the architect, with P. Mérimée and J.-B. Lassus, for the preservation and restoration of polychromy.
Arnaud Timbert
doaj   +1 more source

Multi-Technique Analysis and Digital Reconstruction of Polychromy on a Mithraic Altar from Carrawburgh Roman Fort near Hadrian’s Wall

open access: yesColorants
Heritage materials science techniques, including pXRF, FTIR-ATR, XRD, microphotography, and microsampling, have peeled back concealed layers of polychromy on a Roman Mithraic altar near Hadrian’s Wall.
Louisa Campbell   +2 more
doaj   +2 more sources

Symposium "Reconstruction of Polychromy"

open access: yesVesuvia, 2017
The VESUVIA research program collaborates in the organization of the symposium « Reconstruction of Polychromy » that will be held November 29th-30th – December 1st in Bordeaux Pessac, Archéopôle d’Aquitaine.
Alexandra Dardenay
openaire   +3 more sources

Les couleurs des albâtres anglais. Polychromie, production et perception médiévales

open access: yes, 2021
Between c. 1350 and 1550, English sculptors carved thousands of panels depicting religious scenes from alabaster quarries around Nottingham. Exported throughout Europe, these polychrome reliefs were originally usually assembled to form altarpieces. Their
Mulliez, Maud   +2 more
core   +1 more source

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