Results 61 to 70 of about 691 (187)
This work will review two different interventions of plastic and pictorial reintegration that a wooden late baroque polychrome sculpture has undergone.
Flavia Sorace, Marco Bacci
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To the Mochica civilization, mural art represented an important form of artistic expression that allowed the rulers to deliver a symbolic message of established political power to the people.
Véronique Wright
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Research on polychromies from the medieval period in the archcatedral basilica in Przemysl
The article presents two important strands of research: the preserved paintings in the present attic of the Latin Rite Archcathedral Basilica in Przemyśl and the polychromy on the stone blocks in the foundation part of this temple. The existing paintings
Gosztyła Marek +3 more
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Rendering mortars in Medina Azahara, Part II: Material characterization and alteration causes
In the present work, the depicted coat that covers some of the mortars exposed to weathering in the Medina Azahara archaeological site is .studied. That coat is characterized from the compositional and physical viewpoint and the main causes for its decay
M. T. Blanco-Varela
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This paper presents the preliminary results of an investigation on the unexplored topic of polychromy on provincial stone sculptures from the Roman provinces in Germania through the innovative application of heritage materials science techniques. A group
Louisa Campbell, Charleen Hack
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A Multianalytical Approach for the Characterisation of Materials on Selected Artworks by Monogrammist IP. [PDF]
Šefců R +5 more
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Connecting the beholder with the artwork: Thoughts on gaining liveliness by the usage of paraphernalia. [PDF]
Carbon CC.
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X-ray Fluorescence Analysis of Pigments in Gothic Frescoes, Coats of Arms, and Polychromy on Sculptures on the Triforium in St. Vitus Cathedral on the Territory of the Czech Kingdom in the 14th Century. [PDF]
Čechák T +4 more
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Culture of colour in the city [PDF]
The phenomenon of colour is examined through the evolution of colour and development of culture of colour, which significantly affects the colouristic priorities of people and the colour of the city itself.
Vasiljević-Tomić Dragana
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The reintroduction of polychromy on the façades of nineteenth-century Parisian churches with paintings on enamelled lava took place, between 1827, the date on which Ferdinand-Henri-Joseph Mortelèque implement the first successful trials of painting on ...
Josette Saint-Martin
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