Results 121 to 130 of about 291 (168)
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<p dir="ltr">This design thesis aims to challenge the western white architectural preference and chromophobia. This has stemmed from centuries of colour being demonised in art and design, while white has been idealised - a bias rooted in historic colour associations, and the misconception that ancient architecture was entirely white. As a result,
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2022
„Bogorodica s Djetetom“ kasnogotička je skulptura koja pripada kapeli sv. Jakova na Očuri. Datira vjerojatno s početka 16. stoljeća.1 Nalazila se na glavnom oltaru kapele i u povijesnim spisima navode ju kao „čudotvoran kip“ te je kao takva bila stoljećima čašćena od puka koji i dandanas, unatoč mnogim promjenama, dolazi hodočastiti na Očuru.
Jembrih, Zvjezdana, Božičević, Ana
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„Bogorodica s Djetetom“ kasnogotička je skulptura koja pripada kapeli sv. Jakova na Očuri. Datira vjerojatno s početka 16. stoljeća.1 Nalazila se na glavnom oltaru kapele i u povijesnim spisima navode ju kao „čudotvoran kip“ te je kao takva bila stoljećima čašćena od puka koji i dandanas, unatoč mnogim promjenama, dolazi hodočastiti na Očuru.
Jembrih, Zvjezdana, Božičević, Ana
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Ancient Restoration in Roman Polychromy: Detecting Aesthetic Changes?
Heritage, 2022David Strivay +2 more
exaly
polychromy, architectural, Greek and Roman
2019The polychromy of Greek and Etrusco-Roman architecture comprises the chromatic effects and surface treatments of exterior façades and roofs, as well as interior floors, walls, and ceilings. Colour and/or contrasts of light and shadow are the basis for all architectural ornamentation.
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polychromy, sculptural, Greek and Roman
2018The term “polychromy” has been in use since the early 19th century to denote the presence of any element of colour in Greek and Roman sculpture. The evidence for such polychromy is literary, epigraphical, archaeological, and archeometric; research on the subject therefore requires collaboration between the humanities, conservation science, and natural ...
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