Results 71 to 80 of about 2,977 (234)

The interventions on the medieval polychromy of the tomb monument of Isabel of Aragon: the historical sources

open access: yesConservar Património
Over the centuries, the stone monument of Isabel of Aragon Queen Consort of Portugal (c. 1270-1336), a masterpiece of Portuguese Gothic sculpture from the first half of the 14th century, has been the subject of different types of interventions. They were
Giulia Rossi Vairo
semanticscholar   +1 more source

“Flames Over Persepolis”: New Scientific Evidence Supporting Historical Perspectives

open access: yesArchaeometry, Volume 68, Issue 3, Page 421-433, June 2026.
ABSTRACT This study investigates the burning of Persepolis Terrace, historically attributed to Alexander III in 330 bce. A review of classical accounts and excavation reports, combined with diagnostic surveys, confirms the fire's historicity and provides novel insights.
Maria Letizia Amadori   +10 more
wiley   +1 more source

George Gilbert Scott: A Pioneer of Constructional Polychromy?

open access: yes, 2014
The dominant historical account of constructional polychromy in Britain describes its emergence in the fifteenth century as a by-product of the introduction of brick-making under Flemish influence.
Aidan Whelan
core   +1 more source

The Deceptive Surface: Perception and Sculpture’s “Skin”

open access: yesImages Re-Vues, 2017
In the eighteenth century, sculptors such as Antonio Canova often experimented with polychromy, using wax or grind water to subtly tint their figures’ flesh. In this article, I examine viewers’ discomfort with these surface treatments.
Christina Ferando
doaj   +1 more source

Investigating Technology and Raw Materials Source of the Archaic and Classical Architectural Terracottas From the Athenaion in Castro (Apulia, Italy)

open access: yesArchaeometry, Volume 68, Issue 3, Page 512-526, June 2026.
ABSTRACT Since 2000, archaeological excavations have brought to light the sanctuary of Athena in Castro (Apulia, Italy), including terracotta roofs dated between the 6th and 4th centuries bce. Based on their morphological and stylistic features, it is suggested that the terracotta items were manufactured in the Greek colony of Taras (modern Taranto ...
M. M. N. Franceschini   +7 more
wiley   +1 more source

Polychromy and the ornamental program of wooden sculpture: a method for its study

open access: yesConservar Património
This article delineates a proposed methodological framework for the systematic investigation and documentation of sculptural polychromy, distinguishing it from antecedent studies that predominantly concentrated on isolated and specific elements of the ...
M. G. González López
semanticscholar   +1 more source

British architectural polychromy: 1840-1870 [PDF]

open access: yes, 2001
In 1984, among the proposals for the redecoration of the British Museum was a plan to reinstate the decorative scheme for the Entrance Hall created in 1847 by Sydney Smirke. The controversy that ensued is the departure point for this thesis.
Walker, C.J.
core  

God is in the detail. Gold, silver and polychromy

open access: yes, 2016
The visible polychromy of a wooden sculpture representing St. John the Evangelist, from Museu Nacional de Arte Antiga, Lisbon (Portugal) presents several techniques that complement each other on the creation of a sumptuous estofado.
Oliveira, Maria J.   +4 more
core   +1 more source

Towards a “Polychrome History” of Greek and Roman Sculpture [PDF]

open access: yesJournal of Art Historiography, 2016
In the early twenty-first century, the polychromy of ancient sculpture has been presented at many exhibitions and discussed in a large number of specialized publications.
Bente Kiilerich
doaj  

The Nike of Samothrace’s presences during the XX and XXI centuries: mysteries and victories

open access: yesthersites. Journal for Transcultural Presences & Diachronic Identities from Antiquity to Date, 2021
Despite its fame, the Winged Victory of Samothrace keeps on fascinating not only every visitor of the Louvre museum, but also the eye of the connoisseur.
Élise Pampanay
doaj   +1 more source

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