Conservation of a Terracotta Acroterion from an Unknown Temple in Aegean Thrace
The terracotta acroterion from the permanent exhibition of the National Archaeological Museum in Sofia most probably represents the goddess Artemis.
Sevdalina Neykova
doaj
The Network Initiative for Conservation Science (NICS): a model of collaboration and resource sharing among neighbor museums. [PDF]
Pozzi F, Basso E.
europepmc +1 more source
'Baltic catacombs.' Translating corpisanti catacomb relic-sculptures between Rome, Polish Livonia, and the Lithuanian Grand Duchy circa 1750-1800. [PDF]
Budzyński R +5 more
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This music score was submitted for the Kaleidoscope 2020 Call for Scores, an open access collaboration with the UCLA Music Library.
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13. Transfigurations and Interferences of the Ballad Master Builder Manole with the Opera Genre. Choral Polychromies [PDF]
Consuela Radu-Țaga
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This music score was submitted for the Kaleidoscope 2020 Call for Scores, an open access collaboration with the UCLA Music Library.
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First discovery of charcoal-based prehistoric cave art in Dordogne. [PDF]
Reiche I +3 more
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La redécouverte du relief Le Christ au Jardin des Oliviers : une œuvre espagnole en Sarthe
Spanish polychrome wood carvings are relatively rare in French collections. Preserved for several decades in Champagné (Sarthe), the relief of Christ in the Garden of Olives remained unknown and neglected due to heavy soiling that obscured its details ...
Alexandra Buvignier
doaj +1 more source
Roberta Panzanelli, Eike D. Schmidt, Kenneth Lapatin (éd.), The Color of Life : Polychromy in Sculpture from Antiquity to the Present [PDF]
Adeline Grand‐Clément
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