Results 51 to 60 of about 2,123 (159)

Characterization by Different Non‐Invasive Methods Artworks From Brazilian Modernist Painters Tarsila Do Amaral and Anita Malfatti

open access: yesX-Ray Spectrometry, Volume 55, Issue 1, Page 136-147, January/February 2026.
ABSTRACT In this study, four paintings by the Brazilian artists Tarsila do Amaral and Anita Malfatti were analyzed using x‐ray fluorescence (XRF) and macro‐x‐ray fluorescence (MA‐XRF) scanning. The analyzed artworks by Tarsila do Amaral were “Autorretrato com vestido laranja” (1921) and “Figura Só” (1930), while the investigated paintings by Anita ...
Valter Felix   +9 more
wiley   +1 more source

In search of ancient polychromy. Non invasive methods applied to Roman and medieval stone sculptures: different case studies between Italy and France.

open access: yes, 2023
reservedQuesto lavoro di tesi nasce nell'ambito di un progetto di Doppia Laurea condiviso tra l'Università di Padova e l'Universitè Bordeaux Montaigne.
GIUSTI, CHIARA
core  

Pigment Analysis in Paintings by the Brazilian Artist Di Cavalcanti Using IRR and MA‐XRF

open access: yesX-Ray Spectrometry, Volume 54, Issue 6, Page 735-746, November/December 2025.
ABSTRACT This study analyses the pictorial materials used by the renowned Brazilian artist Di Cavalcanti (1897–1976) in two modern oil paintings on canvas from 1962, part of the collection at the Chácara do Céu Museum in Rio de Janeiro, Brazil. This analysis was carried out using imaging: visible light imaging and infrared reflectography (IRR), as well
Raysa Nardes   +6 more
wiley   +1 more source

Colour shifts: On methodologies in research on the polychromy of Greek and Roman sculpture [PDF]

open access: yes, 2017
The article offers a partial overview of methodologies of research on the polychromy of Greek and Roman sculpture. The character of the evidence requires an interdisciplinary approach. This evidence is briefly presented, after which aspects of the actual
Østergaard, Jan Stubbe
core  

Preserving the Polychromy of Antiquity: An Analysis of Collections Stewardship and Colored Classical Antiquity Sculptures [PDF]

open access: yes, 2022
Over the past centuries, scholars have worked to understand that the remaining pristine white marble of ancient Greece and Rome was once brightly colored.
D\u27Angelo, Angelina
core  

The reintegration of losses in a wooden late baroque polychrome crucifix: issues and ways to approach the selection of materials

open access: yesGe-conservación, 2020
This work will review two different interventions of plastic and pictorial reintegration that a wooden late baroque polychrome sculpture has undergone.
Flavia Sorace, Marco Bacci
doaj   +1 more source

Archaeometric Study of Pictorial Stratigraphies from a Togatus Roman Sculpture found in Salamanca (Spain)

open access: yesZephyrus, 2022
The decoration of a togatus Roman sculpture found in Salamanca in 2015 has been examined to identify the applied pigments. The study was performed using environmental scanning electron microscopy –ESEM– with an energy-dispersive X-ray analyser –ESEM-EDX–
Jorge Souto   +5 more
doaj   +1 more source

God is in the detail. Gold, silver and polychromy

open access: yes, 2016
The visible polychromy of a wooden sculpture representing St. John the Evangelist, from Museu Nacional de Arte Antiga, Lisbon (Portugal) presents several techniques that complement each other on the creation of a sumptuous estofado.
Oliveira, Maria J.   +11 more
core   +1 more source

Réflexions autour de la conservation-restauration de figurines en terre cuite

open access: yesPallas, 2023
Between 2015 and 2020, many Gallo-Roman terracotta figurines from three collections (musée Anne de Beaujeu, musée Bargoin, and musée archéologique de l’Oise) were studied and underwent a process of preservation-restoration.
Carine Bayol, Marie Petit
doaj   +1 more source

The evolution of craft work in the strategic development of a family enterprise

open access: yesStrategic Entrepreneurship Journal, Volume 18, Issue 4, Page 811-840, December 2024.
Abstract Research Summary Craft firms characterized by a humanistic approach to work face a tension between adhering to pure craft principles and embracing industrialization. This challenge is heightened in family‐controlled craft firms, striving to uphold tradition while adapting to change.
Emanuela Rondi   +3 more
wiley   +1 more source

Home - About - Disclaimer - Privacy