A Carousel of Color: Polychromy and Jewish Visual culture in Roman Antiquity.
Fine's workshop at the Albright will focus on the Arch of Titus Project: "In recent years, polychromy has developed as a fruitful area of research in the study of classical art.
Fine, Steven
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A Multianalytical Approach for the Characterisation of Materials on Selected Artworks by Monogrammist IP. [PDF]
Šefců R +5 more
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De la « Great Exhibition » à l’Esthétisme : entre production et poïétique
The opening of the Great Exhibition in May 1851 corresponded to the birth of a new culture of the manufactured object. In spite of its official aim to celebrate British industrial power, the Exhibition also brought together many works of art, including ...
Charlotte Ribeyrol
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New research on the ‘Monochromes on marble’ from Herculaneum and Pompeii
The so - called "monochromes on marbles" are ten white marble slabs, most of them showing mythological scenes. At first glance, all the scenes appear to have been drawn only with a red colour line.
Sara Lenzi
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Architectural Polychromy at Hekatomnid Labraunda
International audienceThis article explores old and new discoveries of architectural polychromy in the Hekatomnid building programme at Labraunda in Karia. It addresses the use of painted plaster and marble mouldings, while also scrutinising the abundant
Blid, Jesper
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The hellenistic sculptures described in this presentation are part of a group of archaeological findings coming from Tuscania (Viterbo), stored in the MAF (Archaeological Museum of Florence).
G Bartolozzi +5 more
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X-ray Fluorescence Analysis of Pigments in Gothic Frescoes, Coats of Arms, and Polychromy on Sculptures on the Triforium in St. Vitus Cathedral on the Territory of the Czech Kingdom in the 14th Century. [PDF]
Čechák T +4 more
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The digital technologies employed in archaeology since the 1990s have progressively and experimentally been utilized over the last two decades to document and re-present the ancient polychromy of Greek and Roman marble artworks. Given that this remains a
Siotto E., Cignoni P.
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Connecting the beholder with the artwork: Thoughts on gaining liveliness by the usage of paraphernalia. [PDF]
Carbon CC.
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Looking for Colour on Greek and Roman Sculpture [PDF]
Review of: Vinzenz Brinkmann, Oliver Primavesi, Max Hollein, (eds), Circumlitio. The Polychromy of Antique and Medieval Sculpture. Liebighaus Skulpturensammlung, Frankfurt am Main, 2010.
Amanda Claridge
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