Results 31 to 40 of about 290 (168)
Conservar Património, 2014 Portable energy dispersive X-ray fluorescence spectrometry (EDXRF) was used in the Alcobaça Monastery, in order to study the chromatic coatings applied to terracotta statues that belong to two seventeenth-century monumental groupings.
Agnès Le Gac +2 more
doaj +1 more source
Farven vender tilbage. Et “sandere billede” af antik skulptur
Periskop, 2017 The Re-Emergence of Colour. A “Truer Picture” of the Sculpture of Classical Antiquity Though often held to be a well-known fact, the consequences of the re-emergence of polychromy of ancient Greek and Roman sculpture have not yet made themselves ...
Jan Stubbe Østergaard
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Technical Transactions, 2017 The article deals with the question of the evolution of polychromy in the L’viv architecture in the period of the second half of the 17th century to the first half of the 19th century.
Kazantseva Tetiana
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Sculpture, sculpteurs et ateliers (?) à Chambéry et alentour (vers 1480-v. 1530)
CeROArt : Conservation, Exposition, Restauration d'Objets d'Art, 2021 This paper is the critical account of some of the contributions of the thesis defended by Me S. Boisset-Boisset on medieval sculpture in Western Savoy, 1480-1530, at Grenoble Alpes University, in November 2015. It is supported by a rigorous investigation
Laurence Riviere Ciavaldini
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Couleurs du passé/Couleurs du présent. La polychromie d’architecture chez Viollet-le-Duc / Colours of the Past/ Colours of the Present. The Polychromy of the Architecture of Viollet-le-Duc [PDF]
Anastasis: Research in Medieval Culture and Art, 2016 Viollet-le-Duc has always been attentive to the polychromy of the medieval churches. This article proposes to dwell on the technique developed by the architect, with P. Mérimée and J.-B. Lassus, for the preservation and restoration of polychromy.
Arnaud Timbert
doaj
The polychromy in the treasury of the Wawel Cathedral by Józef Mehoffer, 1900-1902
Folia Historica Cracoviensia, 2000 The article concerns the polychromy in the Wawel Cathedral painted by Józef Mehoffer (1900-1902).
Beata Studziżba
doaj +1 more source
Il progetto "D12” - Promuovere il rilievo 3D per stimolare la ricerca
Archeomatica, 2018 The Archaeological Museum of Bologna has tested the application of digital technologies on some objects within the project "D12", aimed to connect 3D documentation with polychromy data.
Federica Guidi +5 more
doaj +3 more sources
Integration of Micro‐CT and XRF Mapping for Multimodal 3D Analysis of Polychrome Wooden Artifacts
X-Ray Spectrometry, EarlyView.ABSTRACT Over the past 5 years, computer applications have become crucial to archeological research. Since the 1990s, the focus has transitioned from data management tools to the development of virtual models. Recently, digital documentation of cultural heritage has gained considerable focus, with 3D modeling of objects.
Josiane E. Cavalcante +10 more
wiley +1 more source
“Flames Over Persepolis”: New Scientific Evidence Supporting Historical Perspectives
Archaeometry, Volume 68, Issue 3, Page 421-433, June 2026.ABSTRACT This study investigates the burning of Persepolis Terrace, historically attributed to Alexander III in 330 bce. A review of classical accounts and excavation reports, combined with diagnostic surveys, confirms the fire's historicity and provides novel insights.
Maria Letizia Amadori +10 more
wiley +1 more source
Archaeometry, Volume 68, Issue 3, Page 512-526, June 2026.ABSTRACT Since 2000, archaeological excavations have brought to light the sanctuary of Athena in Castro (Apulia, Italy), including terracotta roofs dated between the 6th and 4th centuries bce. Based on their morphological and stylistic features, it is suggested that the terracotta items were manufactured in the Greek colony of Taras (modern Taranto ...
M. M. N. Franceschini +7 more
wiley +1 more source