The 8th round table on ancient polychromy (Paris, 2016)
On 15-16 November 2016, in front of a large audience, the Centre de Recherche et de Restauration des Musées de France (C2RMF) hosted the eighth international round table on ancient polychromy, organized with the support of the Université Paris I-Panthéon
Prost, Francis +2 more
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Towards a “Polychrome History” of Greek and Roman Sculpture [PDF]
In the early twenty-first century, the polychromy of ancient sculpture has been presented at many exhibitions and discussed in a large number of specialized publications.
Bente Kiilerich
doaj
The Nike of Samothrace’s presences during the XX and XXI centuries: mysteries and victories
Despite its fame, the Winged Victory of Samothrace keeps on fascinating not only every visitor of the Louvre museum, but also the eye of the connoisseur.
Élise Pampanay
doaj +1 more source
Arianna's Palette: A Diagnostic Study of the Painting Walls of the Domus of Arianna in Pompeii
ABSTRACT The House of Arianna, also known as the House of Colored Capitals, represents, with its 1700 m2 of floor space, one of the most majestic examples of a residence within the Pompeii archaeological site. The research developed within the project “Cultural Heritage Active Innovation for Sustainable Society—CHANGES” reports the outcomes of the ...
Maria Verde +9 more
wiley +1 more source
Thickness Calculation of Pigment Layers and Gold Leaves Using XRF and MA‐XRF Data
ABSTRACT In this work, XRF and MA‐XRF data were used to estimate the thickness of Chromium Oxide (Cr₂O₃) pigment and gold leaf applied over Lead White (2PbCO3.Pb(OH)2). The thickness determination was based on the differential attenuation of the Pb‐Lα and Pb‐Lβ characteristic X‐rays, which allows correlating the overlying material layer with the Pb(Lα ...
Renato Pereira de Freitas +9 more
wiley +1 more source
ABSTRACT In this study, four paintings by the Brazilian artists Tarsila do Amaral and Anita Malfatti were analyzed using x‐ray fluorescence (XRF) and macro‐x‐ray fluorescence (MA‐XRF) scanning. The analyzed artworks by Tarsila do Amaral were “Autorretrato com vestido laranja” (1921) and “Figura Só” (1930), while the investigated paintings by Anita ...
Valter Felix +9 more
wiley +1 more source
God is in the detail. Gold, silver and polychromy
The visible polychromy of a wooden sculpture representing St. John the Evangelist, from Museu Nacional de Arte Antiga, Lisbon (Portugal) presents several techniques that complement each other on the creation of a sumptuous estofado.
Oliveira, Maria J. +11 more
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Preserving the Polychromy of Antiquity: An Analysis of Collections Stewardship and Colored Classical Antiquity Sculptures [PDF]
Over the past centuries, scholars have worked to understand that the remaining pristine white marble of ancient Greece and Rome was once brightly colored.
D\u27Angelo, Angelina
core
Pigment Analysis in Paintings by the Brazilian Artist Di Cavalcanti Using IRR and MA‐XRF
ABSTRACT This study analyses the pictorial materials used by the renowned Brazilian artist Di Cavalcanti (1897–1976) in two modern oil paintings on canvas from 1962, part of the collection at the Chácara do Céu Museum in Rio de Janeiro, Brazil. This analysis was carried out using imaging: visible light imaging and infrared reflectography (IRR), as well
Raysa Nardes +6 more
wiley +1 more source
Colour shifts: On methodologies in research on the polychromy of Greek and Roman sculpture [PDF]
The article offers a partial overview of methodologies of research on the polychromy of Greek and Roman sculpture. The character of the evidence requires an interdisciplinary approach. This evidence is briefly presented, after which aspects of the actual
Østergaard, Jan Stubbe
core

