Results 261 to 270 of about 130,240 (296)
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2018
Pop sanatçıları eserlerini; o gününün insanının her gün tükettiği yiyecekleri, sıradan nesneleri, insanlara yönelik düz, dolayımsız bir yaklaşımla oluşturmuşlardı. Nesnelerin boyut ve sergilendikleri ortamlar bakımından farklı bir bağlamda sunulması; bu nesnelerin, onları tüketen ve diğer yandan da izleyicisi olan kitlenin ...
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Pop sanatçıları eserlerini; o gününün insanının her gün tükettiği yiyecekleri, sıradan nesneleri, insanlara yönelik düz, dolayımsız bir yaklaşımla oluşturmuşlardı. Nesnelerin boyut ve sergilendikleri ortamlar bakımından farklı bir bağlamda sunulması; bu nesnelerin, onları tüketen ve diğer yandan da izleyicisi olan kitlenin ...
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China Pop!: Pop Culture, Propaganda, Pacific Pop-Ups
The art of propaganda : some TV series circa the Chinese Communist Party Centennial -- Triangulating TV series of melodramatic dialectic "with Chinese characteristics" : gamblin' professionals in cities; Goth and Darwin in the Wild West -- The ghost of Guimi from imperial to millennial China -- Six million Jews and how many Chinese : "Ten-Year ...openaire +2 more sources
Pop & Mythos. Pop-Kultur. Pop-Asthetik. Pop-Musik
Lied und populäre Kultur / Song and Popular Culture, 2003Peter Wicke, Heinz Geuen, Michael Rappe
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Fabulous Confusion! Pop Before Pop?
2017Philip Brophy's call for the maintenance of a rigorous confusion on the part of cultural critics is likely to appeal to anyone who wants to write on Pop but doesn't want to be identified with Indiana's dog-eared malcontents. The conflation of analytically distinct problematics, objects and practices recurs as an asserted objective fait accompli in many
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Introduction: Pops in Pop Context
<p>“So, if today’s dad is no longer the all-business provider who is less emotion ally engaged than Mom, and he’s not the bumbling, disconnected dad of the past 30 years in popular culture (read: Homer Simpson), then who is he?” <em>Pops in Pop Culture</em> explores contemporary representations of the father in order to contribute to ...openaire +1 more source
Abstract James Millea focuses on the Tony Hawk’s Pro Skater series of video games, its use of popular music, and how this transmediality between game culture and music culture shapes the series’ “projection of authenticity.” Millea critiques the vogue for viewing the music of video games through the lens of cinema—the ways in which ...
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