Results 171 to 180 of about 228 (208)
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The Royal Road Progression in Japanese Popular Music

Music Theory Spectrum, 2023
AbstractThe so-called royal road progression (RRP), whose archetypal lead-sheet representation is F–G–Em–Am, is a distinctive feature of modern Japanese popular music. The RRP arose from the manipulation of basic elements of diatonic harmony and coexists with several closely related progressions in J-pop style.
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The Royal Anthropological Institute and the Popularization of Anthropology

Practicing Anthropology, 1995
For two decades now, the Royal Anthropological Institute (henceforth RAI) has emphasized the importance of getting anthropological understandings across to a wider audience. Here we look at the oft stated objectives of popularization, some of the actual measures implemented, and the effects of these measures.
Houtman, Gustaaf, Knight, John
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Song for a King’s Exile: Royalism and Popular Music in Postcolonial Uganda

Popular Music and Society, 2016
AbstractIn 1971, Uganda’s President Idi Amin arranged for the return of the body of Kabaka Edward Muteesa II from Britain, where it had been temporarily interred since the king’s death in that country two years earlier. That year, Dan Mugula, pioneer of the kadongo kamu pop music genre, composed “Muteesa, Baalaba Taliiwo Buganda,” a song that expressed
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For Love or Money: Popular 1920s Artist Stories in The Royal and The Strand

2020
From Hutchinson’s Story Magazine and Cassell’s Magazine to The New Magazine and The Grand Magazine, standard illustrated popular magazines are a neglected but rich source for anyone interested in short fiction. In this essay, I examine how these magazines’ brand identity and editorial practices affected their fictional contents.
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Reform Wars, Royal Visits, and U.S. Views of Popular Sovereignty in 1860

2022
Abstract and Keywords to be supplied.
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The Origin of Popular Interest in the Royal Navy

Royal United Services Institution. Journal, 1937
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A Visible Presence: Royal Events, Media Images and Popular Spectatorship in Oscarian Sweden

2016
This chapter adopts the perspective of those at the receiving end of royal soft power: royal subjects. While much historical research has focused on royal personages’ strategic and symbolic power demonstrations, the public reception of these communicative efforts has remained under-explored.
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