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Revolts, Brigandage and Popular Royalism in Southern Italy in the Aftermath of National Unification

War, Culture and Society, 1750-1850, 2023
This chapter aims to reconsider the long-dominant interpretations of the popular revolt which the new Kingdom of Italy had to face in its southern provinces in the aftermath of national unification, during the 1860s. It argues that by carefully looking for clues about the politicization of the popular revolts of the 1860 and 1861, as well as of the ...
exaly   +3 more sources

Chouannerie and popular royalism the survival of the counter‐revolutionary tradition in Upper Brittany

Social History, 1984
The continuity of the counter-revolutionary tradition of the west of France is one of the most commonly accepted propositions in the country's electoral history. Everyone recognizes that the areas where the priests rejected the oath of loyalty to the Civil Constitution of the Clergy in I791 were also the areas where the Catholic and royalist guerrilla ...
exaly   +2 more sources

The mad kings of The Royals: Fashioning transgressions in royal popular culture television

Film, Fashion & Consumption, 2022
The costuming of actors plays a significant role in how their characters and their actions are understood by audiences. This article examines how male transgression is encoded in fictional royal television via costuming. Costumes for royal characters sit at the intersection between dramatic convention and popular expectations of royal behaviour. Little
Lisa J. Hackett, Jo Coghlan
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The Royal Road Progression in Japanese Popular Music

Music Theory Spectrum, 2023
AbstractThe so-called royal road progression (RRP), whose archetypal lead-sheet representation is F–G–Em–Am, is a distinctive feature of modern Japanese popular music. The RRP arose from the manipulation of basic elements of diatonic harmony and coexists with several closely related progressions in J-pop style.
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The Royal Anthropological Institute and the Popularization of Anthropology

Practicing Anthropology, 1995
For two decades now, the Royal Anthropological Institute (henceforth RAI) has emphasized the importance of getting anthropological understandings across to a wider audience. Here we look at the oft stated objectives of popularization, some of the actual measures implemented, and the effects of these measures.
Houtman, Gustaaf, Knight, John
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Song for a King’s Exile: Royalism and Popular Music in Postcolonial Uganda

Popular Music and Society, 2016
AbstractIn 1971, Uganda’s President Idi Amin arranged for the return of the body of Kabaka Edward Muteesa II from Britain, where it had been temporarily interred since the king’s death in that country two years earlier. That year, Dan Mugula, pioneer of the kadongo kamu pop music genre, composed “Muteesa, Baalaba Taliiwo Buganda,” a song that expressed
openaire   +1 more source

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