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Mário Pedrosa e Portinari: anotações sobre um texto esquecido.
RESUMO Este artigo discute o texto “Pintura e Portinari”, de Mário Pedrosa, publicado em março de 1935, desconhecido por parte significativa dos historiadores da arte brasileira.
Tadeu Chiarelli
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“Retirantes”, “Criança Morta” e “Enterro na Rede” são três pinturas a óleo, pintadas em 1944 pelo reconhecido artista brasileiro Candido Portinari.
Sofia Hennen Rodriguez +9 more
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Spondias sp: Shedding Light on Its Vast Pharmaceutical Potential [PDF]
Many plants are used by the population through popular knowledge passed from generation to generation for the treatment of various diseases. However, there is not always any scientific content supporting these uses, which is very important for safety ...
Érica Mendes dos Santos +9 more
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Therapeutic potential of cannabinoids for treating atopic dermatitis [PDF]
This review aims to assess the therapeutic potential of cannabinoids as complementary treatments for atopic dermatitis. Atopic dermatitis (AD) is a skin disease characterized by the loss of skin barrier function that promotes subsequent symptoms such as ...
Adriel Aparecido Geraldo Stoco +1 more
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Enzymatic Hydrolysis of Rutin: Evaluation of Kinetic Parameters and Anti-Proliferative, Mutagenic and Anti-Mutagenic Effects [PDF]
The bioavailability of glucoside flavonoids is influenced by the nature of the sugar, glucosides being absorbed faster than rhamnoglucosides, for example. One strategy to enhance the bioavailability is enzymatic hydrolysis.
Mariana Alves Sobreiro +6 more
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Trabalho de um pintor: Portinari
Portinari propiciou encontros e se ausentou . Sua obra, vasta e aparentemente diversificada, é o resultado da convergência de múltip'as contradições e ambigüidades.
Flávio Motta
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Cándido Portinari. Un gran pintor brasileño
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Justino Fernández
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Traces of Impossible Gestures. Photography and Behaviour in the 1970s
The art critic Tommaso Trini in Nuovo alfabeto per corpo e materia [New Alphabet for Body and Matter], published on "Domus" in January 1969 and later on the catalogue of the exhibition Live in Your Head. When Attitudes Become Form, reflects on how public
Stefania Portinari
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Destruction or Secession?: Critiques of Capitalism and Nationalism at the Venice Biennale
1968 saw the May revolt in Europe, a series of events where students protested all-pervading capitalist systems and an ever-encroaching hyper-commodification of art.
Stefania Portinari
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