Results 61 to 70 of about 753,621 (309)

Portrait Interpretation and a Benchmark [PDF]

open access: yesarXiv, 2022
We propose a task we name Portrait Interpretation and construct a dataset named Portrait250K for it. Current researches on portraits such as human attribute recognition and person re-identification have achieved many successes, but generally, they: 1) may lack mining the interrelationship between various tasks and the possible benefits it may bring; 2)
arxiv  

Data Portraits [PDF]

open access: yesLeonardo, 2010
Data portraits depict their subjects' accumulated data rather than their faces. They can be visualizations of discussion contributions, browsing histories, social networks, travel patterns, etc. They are subjective renderings that mediate between the artist's vision, the subject's self-presentation, and the audience's interest. Designed to evocatively
Donath, Judith   +4 more
openaire   +3 more sources

Responsive Molecules for Organic Neuromorphic Devices: Harnessing Memory Diversification

open access: yesAdvanced Materials, EarlyView.
Responsive molecules are essential for organic in‐sensor computing devices. This Review highlights recent advances in thedesign, synthesis, and incorporation of electrically, optically, and magnetically responsive molecules in multifunctional synaptic perception devices endowedwith both nonvolatile and volatile memory diversification. By exploiting the
Yusheng Chen   +4 more
wiley   +1 more source

Portrait 2017 Spring [PDF]

open access: yes, 2017
https://digitalcommons.buffalostate.edu/portrait/1001/thumbnail ...
Portrait staff,
core   +1 more source

Un álbum de retratos: Rubens Gerchman y la fotografía

open access: yesCaiana: Revista de Historia del Arte y Cultura Visual, 2014
“Camera” according to Damián Bayón, Rubens Gerchman has a particular interest in photography since 1964-65. The images he uses, converted in concise and at the same time precise drawings, result from popular press. Intending to discuss the identity issue,
Annateresa Fabris
doaj  

PORTRAIT AS A COMPONENT PART OF THE COMPOSITIONS OF CERAMISTS NELLY SAJINA AND LOUISE IANTZEN [PDF]

open access: yesStudiul Artelor şi Culturologie: Istorie, Teorie, Practică, 2017
From the beginning of the 70’s, in the fine arts of the MSSR, there is a close relationship between sculpture and ceramics. Thus, there are details in the thematic compositions, realized in the art of ceramics.
MARIAN ANA
doaj  

PV3D: A 3D Generative Model for Portrait Video Generation [PDF]

open access: yesarXiv, 2022
Recent advances in generative adversarial networks (GANs) have demonstrated the capabilities of generating stunning photo-realistic portrait images. While some prior works have applied such image GANs to unconditional 2D portrait video generation and static 3D portrait synthesis, there are few works successfully extending GANs for generating 3D-aware ...
arxiv  

Portraits of the Artist

open access: yes, 2020
This essay is composed of two distinct but related parts. The first considers how the title of Joyce’s first novel invites analogies with the tradition of the “self-portrait as a young man” in the history of painting, notably in the work of Durer, Rembrandt, and Van Dyck, each of whom made a series of youthful self-portraits.
openaire   +3 more sources

Portrait of an optimist [PDF]

open access: yesHuman Vaccines & Immunotherapeutics, 2017
I come from a family of lawyers. When I was growing up, the only scientist in the family was my uncle, who was a physicist.
openaire   +3 more sources

Advanced Air Electrodes for Reversible Protonic Ceramic Electrochemical Cells: A Comprehensive Review

open access: yesAdvanced Materials, EarlyView.
Reversible protonic ceramic electrochemical cells (R‐PCECs) face challenges from sluggish and unstable oxygen reduction and evolution reactions in the air electrode. This review discusses recent progress in triple‐conducting air electrodes, emphasizing mechanisms, performance factors, and design strategies, offering guidance for creating efficient and ...
Xi Chen   +8 more
wiley   +1 more source

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