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On the Titian’s self-portrait mentioned by Vasari with technical analysis of an anonymous painting
Journal of Cultural Heritage, 2021Claudia Caliri +2 more
exaly
2011
A rather peculiar corpus of images, painted funerary portraits from Egypt, is investigated here, in order to show: (i) that through the consistent representation of different social personae, in different age groups (male and female children, young males and girls, brides and mothers), these portraits do convey social norms and values; (ii) that they ...
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A rather peculiar corpus of images, painted funerary portraits from Egypt, is investigated here, in order to show: (i) that through the consistent representation of different social personae, in different age groups (male and female children, young males and girls, brides and mothers), these portraits do convey social norms and values; (ii) that they ...
openaire +1 more source
Evolution of Neuroaesthetic Variables in Portrait Paintings throughout the Renaissance
Entropy, 2020Hassan Aleem, Ivan Correa-Herran
exaly
Affective Context and the Interpretation of Facial Expressions in Portrait Paintings
Empirical Studies of the Arts, 2022John Mullennix
exaly
Painting style transfer for head portraits using convolutional neural networks
ACM Transactions on Graphics, 2016Mohamed Elgharib +2 more
exaly