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Pictorial portraits are viewed with two eyes despite the fact that they are mostly monocular: they have been produced from a single viewpoint (either by painters or photographers).
Nicholas J. Wade
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Exploring the Lived Experiences of Home-Educating Families with Young Children in the UK: The Untold Stories [PDF]
Recent trends indicate a significant increase in the number of families opting for home education in the UK, yet research dedicated to this area remains limited.
Kaili C. Zhang, Lindsay Gibson
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A comparative Study Between the Faces and Clothing Items in Manichaean Paintings and Those of Early Islam [PDF]
In Manichaean paintings, the presence and role of man are very prominent. Manichaeans had special methods and principles for designing human faces; by borrowing from the faces of different lands and nations and integrating them with the imagination of ...
Elaheh Panjehbashi +1 more
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Visualizing Kingship in a Time of Change
Despite artistic engagement with photography in Iran almost immediately after the invention of the daguerreotype in 1839, the field of Islamic art history has had difficulty accepting the modern period and the medium of photography as part of its ...
Mira Xenia Schwerda
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The plastic and conceptual dimensions of the art of contemporary portrait as an indicator of cultural identityThe cultural and civilizational identity of a nation is the fixed, fundamental and common destiny of features and features that are related to ...
Seham Abd El Aziz Hamed
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Aloïs Riegl and the riddle of Rembrandt’s Staalmeesters: Vienna schooling Dutch art scholarship [PDF]
Aloïs Riegl’s elucidations of visual particulars in his Dutch Group Portrait of 1902 are not in contrast to but rather inform his theory of the development of group portraiture.
Benjamin Binstock
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Found at the crossroads between aesthetics and referentiality, portraiture is a hybrid form of painting conflating inner and outer references. Although the perceived connection and ‘likeness’ between work of art and the subject being depicted seems to ...
Ana Brígida Paiva
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The plastic and conceptual dimensions of the art of contemporary portrait as an indicator of cultural identityThe cultural and civilizational identity of a nation is the fixed, fundamental and common destiny of features and features that are related to ...
Seham Abd el Aziz Hamed
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History, Myth, and Maṭam in Southeast Indian Portraits
Portraiture emerged as a major interest in literature, sculpture, and painting in early modern southeastern India. While this may, on one hand, reflect an interest in historical documentation, it is also indicative of the wider significance of mimetic ...
Anna Lise Seastrand
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