Results 211 to 220 of about 5,078,797 (266)
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2022
This chapter asks to what extent the “post-apartheid” era can be distinguished from the “postcolonial” and whether the post-apartheid and the postmodern have anything to say to one another. The South African Communist Party proposed that apartheid be read as a variety of “internal colonialism”, but we need to place discourse at the centre of our ...
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This chapter asks to what extent the “post-apartheid” era can be distinguished from the “postcolonial” and whether the post-apartheid and the postmodern have anything to say to one another. The South African Communist Party proposed that apartheid be read as a variety of “internal colonialism”, but we need to place discourse at the centre of our ...
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Pretexts: Literary and Cultural Studies, 2000
(2000). A Post-apartheid Canon? Pretexts: Literary and Cultural Studies: Vol. 9, No. 2, pp. 243-246.
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(2000). A Post-apartheid Canon? Pretexts: Literary and Cultural Studies: Vol. 9, No. 2, pp. 243-246.
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Safundi, 2004
This paper argues that in many ways the South African city continues to reflect the apartheid spatial and socio-economic order. Most black South Africans, especially that section of the population that was categorized African during the apartheid era (about four in five South Africans), remain marginalized, while white South Africans, although ...
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This paper argues that in many ways the South African city continues to reflect the apartheid spatial and socio-economic order. Most black South Africans, especially that section of the population that was categorized African during the apartheid era (about four in five South Africans), remain marginalized, while white South Africans, although ...
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2021
Post-Apartheid Gothic: White South African Writers and Space analyzes the representation of space in recent works by South African writers. By combining analytical tools borrowed from Gothic studies with geocritical and postcolonial approaches, Mélanie Joseph-Vilain assesses the literary mechanisms utilized by Damon Galgut, Henrietta Rose-Innes, Lauren
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Post-Apartheid Gothic: White South African Writers and Space analyzes the representation of space in recent works by South African writers. By combining analytical tools borrowed from Gothic studies with geocritical and postcolonial approaches, Mélanie Joseph-Vilain assesses the literary mechanisms utilized by Damon Galgut, Henrietta Rose-Innes, Lauren
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2020
South Africa's post-apartheid narrative is one of democracy and equality - but its flaws run deep, argues Ives S. Loukson. Disclosing prejudices about whiteness, homosexuality and democracy in the »staged society«, he claims the concept of relation as an adequate framework for the embodiment of »profane democracy« understood in Agambian terms.
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South Africa's post-apartheid narrative is one of democracy and equality - but its flaws run deep, argues Ives S. Loukson. Disclosing prejudices about whiteness, homosexuality and democracy in the »staged society«, he claims the concept of relation as an adequate framework for the embodiment of »profane democracy« understood in Agambian terms.
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Issue, 1990
The nature of the post-apartheid society is very much on the agenda. In the multitude of publications, conferences and debates on this agenda, the bulk of the attention is given to the need for—and the possible characteristics of—a non-racial political system.
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The nature of the post-apartheid society is very much on the agenda. In the multitude of publications, conferences and debates on this agenda, the bulk of the attention is given to the need for—and the possible characteristics of—a non-racial political system.
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L'industrie cinématographique post-apartheid
Afrique contemporaine, 2011Résumé De plus en plus présent dans les festivals et les salles de cinéma occidentales, le cinéma sud-africain contemporain n’est pas un nouveau cinéma de l’ère post-apartheid. Il existe depuis le début du xx e siècle. Soutenus par une industrie unique en Afrique, mais inséparable de l’histoire de l’apartheid, les films sud-africains contemporains ...
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The post-apartheid sublime: rediscovering the extraordinary
1998This chapter offers an account of the unfolding post-apartheid condition within which South African writing takes place; the working premise of the investigation is that writing (at its best) relates to its surrounding condition as the latter’s most fully reflexive self-knowledge.
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