Results 1 to 10 of about 4,280,876 (249)
Miradas críticas sobre el teatro posdramático Critical Views on Post-dramatic Theater
Aisthesis, 2009 Al analizar el teatro posdramático, tanto la crítica académica como la periodística muestran cierta incomodidad hermenéutica, la cual suele resolverse en el señalamiento de los distintos grados de lo real verificados en la escena, procedimiento que ...
Beatriz Trastoy
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Specificity of the actor's skill in the context of post-dramatic theater productions
National Academy of Managerial Staff of Culture and Arts Herald, 2021 The purpose of the article is to identify the features and determine a promising theoretical and practical approach to acting in the context of the specifics of post-dramatic theater. Methodology. An analytical method was applied to identify domestic and foreign scientific works on the theory of post-dramatic theater; the method of systems analysis and
Anton Mezhenin, Yuliya Tsyvatа
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Tiyatro Eleştirmenliği ve Dramaturji Bölümü Dergisi, 2022 A diverse range of aesthetic and dramatic forms characterizes contemporary German-language theater. The vast majority of them are directors’ theaters, which can be traced back to Brecht’s aesthetics, theory, and theatrical work.
Andreas Englhart
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Quand l’air reprend son souffle
Ambiances, 2021 On Philippe Quesne’s stage, human hierarchies and linearity of action are destructured: anthropocentrism no longer reigns and the scenic world exists for itself.
Zoé Brioude
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REFLECTIONS ON SOME DEFINING ASPECTS OF THE DRAMATIC MONOLOGUE [PDF]
Studiul Artelor şi Culturologie: Istorie, Teorie, Practică, 2023 The monologue was often perceived as an obstacle to drama. This „conflict” has been the subject of many reflections, of multiple and successive qualifications, which deal with the problem of the monologue starting with the 18th century.
TÂRȚĂU, SVETLANA
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Recherches, 2021 The theater group Socìetas Raffaello Sanzio is considered an indisputable benchmark in the contemporary Western theater scene. Their work is based on a search for the limits of representation.
Belén Tortosa Pujante
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Post-dramatic theater by Jana Fabrе
Collection of scientific works “Notes on Art Criticism”, 2020 The purpose of the article is to reveal the specifics of J. Fabre's theatrical productions in the context of the development of post-dramatic art. Methodology. A set of methods of contemporary art criticism was applied, aimed at understanding Jan Fabre's theatrical activity in the context of the evolution of post-dramatic art: a biographical method ...
Ivashchenko, Iryna, Strelchuk, Viktoria
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Historical development overview of organizational-management model in Serbian theatre from the middle of XIX to the beginning of XXI century [PDF]
Megatrend Revija, 2016 In this paper the author analyzes a historical development of organizational and management models in Serbian theater since its inception in mid-nineteenth century to the present day, under the influence of the current socio-economic and ideological ...
Raduški Dragoljub
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American, British and Canadian Studies Journal, 2022 Starting from the premise that contemporary crisis is a pervasive continuation of the modern “series of interrelated crises” (Fernández-Caparrós and Brígido-Corachán vii), this article examines the manner in which the US theater has responded to the ...
Čirić-Fazlija Ifeta
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Absurdist Drama and Its Academical Reception in Russian and Western Literary Criticism
Вестник Кемеровского государственного университета, 2022 This paper attempts to identify and systematize the main approaches to the theater of absurd and absurdist drama in Western and Russian literary studies. The term theater of the absurd was originally introduced by Martin Esslin. This concept has become a
P. E. Zhilichev
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