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Post‐feminism and popular culture
Feminist Media Studies, 2004This article presents a series of possible conceptual frames for engaging with what has come to be known as post‐feminism.
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"Having it Ally ": Popular Television (Post-)Feminism
Feminist Media Studies, 2002(2002). 'Having it Ally ': Popular Television (Post-)Feminism. Feminist Media Studies: Vol. 2, No. 2, pp. 231-249.
Rachel Moseley, Jacinda Read
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Gender’s post-feminism and transhumanism
Medicina e Morale, 2019The corollary of the humanist project for human enhancement is transhumanism, which considers post-human modes of existence to be desirable, and aspires to overcome our vulnerability by incorporating available technology into our nature. One of its manifestations is the queer theory, which calls for actively redefining the “self”, starting with the ...
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The Runaways: Music, fashion and 'post-feminism'
Film, Fashion & Consumption, 2012This article considers the intersection of biographical myth, music and gender politics through a discussion of the film The Runaways (Floria Sigismondi, 2010). In focusing in particular on themes of gender identity and fashion, it not only aims to uncover the ways in which this film presents the individual biographical stories of lead band members ...
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Fiction and (Post) Feminism in Atwood's "Bodily Harm"
NOVEL: A Forum on Fiction, 1985Margaret Atwood's fifth and latest novel, Bodily Harm, engages the corrosive question of the "post-feminist" 80s: "Why would any woman today label herself a feminist?"' The protagonist of the book, a free-lance journalist named Rennie Wilford, is thought to be "way out ahead of it" by Canadians in the know.
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