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Вестник Волгоградского государственного университета: Серия 2. ЯзыкознаниеThe relevance of the study is determined by the demand for “new sincerity” that has emerged in society. Reflecting modern trends, mass media highlight the urgency of research into this phenomenon from various angles.
Ekaterina A. Zvereva +2 more
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NEW MODES OF EMOTIONS IN MODERN CULTURE
Russian Studies in Culture and Society, 2022 The relevance of the study of the emergence of new affective states is related to the political and cultural context: global catastrophes, disillusionment with the idea of universal justice and good, doubt about the universality of humanism and ...
Vadim V. Kortunov, Natalya R. Saenko
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Chapaev as a Media Object: from the Civil War to the Black Lives Matter Movement
Галактика медиа: журнал медиа исследований, 2021 The article explores the dynamics of the image of V.I. Chapaev in the Soviet and post-Soviet media space. Using the theory of post-memory by M. Hirsch and S.
Daniil A. Anikin
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Postironic sensibility in My Appearance by David Foster Wallace
Language, Culture, Politics, 2023 This paper aims to show how David Foster Wallace uses the story My Appearance to convey his ideas on postmodernism and irony. I argue that two sensibilities, ironic and post-ironic, are represented by the main characters David Letterman and Edilyn ...
Malina Załużna-Łuczkiewicz
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Наука телевидения, 2021 The article is devoted to the Perestroika conceptual musician Sergey Kuryokhin and his experiments in the field of film music. Two films—The Castle (1994) by Aleksei Balabanov and Three Sisters (1994) by Sergei Solovyov—are analyzed as exemplary ...
Kononenko Natalia G. / Кононенко Н.Г.
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On ‘Not Being Nothing’: Post-ironic Melodrama in James Gray’s “The Immigrant”
Iperstoria, 2021 This essay analyzes James Gray’s The Immigrant (2013) discussing it as an instance of post-ironic melodrama (Włodek 2017) aimed at recovering the purity shown by this genre in the early phases of cinematic history.
Simone Francescato
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POSTMODERN IRONY AND LAUGH: SPECIFIC FEATURES AND SCIENTIFIC RECEPTION [PDF]
Вісник університету ім. А. Нобеля. Серія Філологічні науки, 2020 Irony in postmodern literature is recognized as a basic category that is verified in the works of theorists and researchers of postmodernism (R. Barthes, J. Baudrillard, J. Doyle, I. Hassan, L. Hutcheon, G. Deleuze, J. Derrida, F. Jameson, U. Eco, J.-F.
Iryna V. Kropyvko
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Nordicom Review, 2021 Contemporary France is a prolific arena for post-fascist actors, parties, and movements. Self-proclaimed alternative news outlets and publishing houses serve as forums for information and mobilisation, through various strategies, to resist an alleged ...
Nilsson Per-Erik
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Modern «philological novel» Discourse as an artistic experiment: Figl-Migl’s prose [PDF]
Актуальные проблемы филологии и педагогической лингвистики, 2021 The article presents a certain way of modern transformation of the so-called “philological novel” in the modern Russian prose. The author asserts that this genre, which has a profound tradition and generally rests upon quite traditional philological ...
Irina N. Ivanova
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NEW SINCERITY IN POST-POSTMODERN ART
Вісник Харківського національного університету імені В.Н. Каразіна. Серія Філософія, філософські перипетії, 2022 This article explores an issue of New Sincerity in post-postmodern context, in post-postmodern culture uppermost and in literature in the first instance. The research considers post-postmodern New Sincerity in comparison with postmodern apathy, redundant
Nataliia Zahurska
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