From Point of View to Mindgame Films – Between Subjective Techniques and Strategies [PDF]
, 2019 The starting point for this paper is the statement that subjectivisation (subjective narrative) – is one of the key elements in a film medium. However, when its definition is narrowed down, it neither reflects the character of changes in the scope ...
Jakubowska, Małgorzata
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Unmet goals of tracking: within-track heterogeneity of students' expectations for [PDF]
, 2015 Educational systems are often characterized by some form(s) of ability grouping, like tracking. Although substantial variation in the implementation of these practices exists, it is always the aim to improve teaching efficiency by creating homogeneous ...
Demanet, Jannick +2 more
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After Testimony: The Ethics and Aesthetics of Holocaust Narrative for the Future [PDF]
, 2012 Imre Kertész's fatelessness : fiction as testimony / J. Hillis Miller -- Challenges for the successor generations of German-Jewish authors in Germany / Beatrice Sandberg -- Recent literature confronting the past : France and beyond / Philippe Mesnard ...
Lothe, Jakob +2 more
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Autofiction on Violence. The Ethics of Storytelling and the Symbolic Role of Language [PDF]
This article explores the representation of violence in autofiction and its ethical implications. Through an analysis of Édouard Louis’s autofiction, with additional references to contemporary Russian and French authors such as Christine Angot, Egana ...
Muraveva, Larissa
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Prototypes, Genres, and Concepts: Travelling with Narratives [PDF]
, 2012 The “narrative turn” is (too) often understood as a celebratory term indicating the growing importance and popularity of narrative studies. This article elaborates the merits of a more critical approach to the history of narrative theory.
Hyvärinen, Matti
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Classical Hollywood Cinema and Post-Classical Hollywood Cinema; Case Study of Modern and Postmodern Film [PDF]
, 2015 Notions of classical Hollywood film and post-classical Hollywood film belong to distinct eras, traditionally used to signify various elements, specific styles, and approaches.
Radulovich, Sarah
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Perceiving voids: Memory And Sight Afflictions In Contemporary Cinema [PDF]
, 2014 My thesis focuses on the perceptive afflictions caused by alteration of the normal biological functioning of sight and memory. These afflictions are related to the redefinition and disgregation of the classical and postclassical cinematographic ...
Marineo, Francesco
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The Contemporary Hollywood Film Soundtrack: Professional Practices and Sonic Styles Since the 1970s [PDF]
, 2013 Since the 1970s, the soundtrack in Hollywood has come of age as a complex and sophisticated site of cinematic art. Greater combinations of sounds expressing a wider spectrum of tones, textures and volumes can be heard at the movies more than ever before,
McGill, Amy
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Book review - 'Danijela Kulezic-Wilson, Sound Design is the New Score: Theory, Aesthetics, and Erotics of the Integrated Soundtrack (New York: Oxford University Press, 2020), ISBN: 9780190855314 (hb), 9780190855321 (pb)' [PDF]
, 2021 Ireland, D
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The Third Wave: Judge Whitaker and the Classical Era (1953-1974) [PDF]
, 2007 The Third Wave of Mormon cinema is unquestionably the age of Judge Whitaker. He represents the development of Mormon film from its pioneer infancy into classical maturity.
Astle, Randy, Burton, Gideon O.
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