Results 141 to 150 of about 7,428 (178)
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2017
This edited book inserts postfeminism (PF) as a critical concept into understandings of work and organization. While the notion of PF has been extensively investigated in cultural and media studies, it has yet to emerge within organization studies - remaining marginal to understandings of work based experiences and subjectivities. Understanding PF as a
Lewis, P., Benschop, Y.W.M., Simpson, R.
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This edited book inserts postfeminism (PF) as a critical concept into understandings of work and organization. While the notion of PF has been extensively investigated in cultural and media studies, it has yet to emerge within organization studies - remaining marginal to understandings of work based experiences and subjectivities. Understanding PF as a
Lewis, P., Benschop, Y.W.M., Simpson, R.
openaire +3 more sources
2020
This book concerns young, class-privileged women in the Nigerian city of Lagos who dress in a “spectacularly feminine” style characterised by the extravagant use and combination of normatively feminine technologies of dress: cascading hair extensions, false eyelashes and nails, heavy and immaculate makeup, and so on.
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This book concerns young, class-privileged women in the Nigerian city of Lagos who dress in a “spectacularly feminine” style characterised by the extravagant use and combination of normatively feminine technologies of dress: cascading hair extensions, false eyelashes and nails, heavy and immaculate makeup, and so on.
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2022
In Feel-Bad Postfeminism, Catherine McDermott provides crucial insight into what growing up during empowerment postfeminism feels like, and outlines the continuing postfeminist legacy of resilience in girlhood coming-of-age narratives. McDermott’s analysis of Gone Girl (2012), Girls (2012-2017) and Appropriate Behaviour (2012) illuminates a ...
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In Feel-Bad Postfeminism, Catherine McDermott provides crucial insight into what growing up during empowerment postfeminism feels like, and outlines the continuing postfeminist legacy of resilience in girlhood coming-of-age narratives. McDermott’s analysis of Gone Girl (2012), Girls (2012-2017) and Appropriate Behaviour (2012) illuminates a ...
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Gender & Society, 2003
Accordingto the mass media, a postfeminist era emerged in the 1990s. The first objective is to develop a definition of the postfeminist perspective. Based on an informal content analysis of popular articles, the authors identify four postfeminist claims: (1) overall support for the women’s movement has dramatically eroded because some women (2) are ...
Elaine J. Hall, Marnie Salupo Rodriguez
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Accordingto the mass media, a postfeminist era emerged in the 1990s. The first objective is to develop a definition of the postfeminist perspective. Based on an informal content analysis of popular articles, the authors identify four postfeminist claims: (1) overall support for the women’s movement has dramatically eroded because some women (2) are ...
Elaine J. Hall, Marnie Salupo Rodriguez
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2015
“What I think you fail to realize is that in Dom/sub relationships it is the sub who has all the power. That’s you. I’ll repeat this—you are the one with all the power. Not I” (James, 2011, p. 400). So writes Christian Grey in an email to Anastasia Steele in Fifty Shades of Grey (2011).
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“What I think you fail to realize is that in Dom/sub relationships it is the sub who has all the power. That’s you. I’ll repeat this—you are the one with all the power. Not I” (James, 2011, p. 400). So writes Christian Grey in an email to Anastasia Steele in Fifty Shades of Grey (2011).
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Nietzsche-Studien, 1992
There are many reasons for linking Friedrich Nietzsche to what has been termed postmodernism and for associating his hind of writing to what the A. like to call postfeminism, both terms to be taken not in the sense of before and after, prior and later, extant and superseding, but rather in the range of subversive and explosive writing, heterogeneity ...
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There are many reasons for linking Friedrich Nietzsche to what has been termed postmodernism and for associating his hind of writing to what the A. like to call postfeminism, both terms to be taken not in the sense of before and after, prior and later, extant and superseding, but rather in the range of subversive and explosive writing, heterogeneity ...
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Focusing on Amy Winehouse, Rihanna, Lady Gaga, and Lana del Rey, Nathalie Weidhase conceptualises the female dandy as a figure that simultaneously embodies and ruptures postfeminist notions of femininity, such as maintaining a physique that conforms to contemporary beauty standards, constant self-surveillance and -improvement and the naturalisation of ...
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