The article focuses on Kurt Vonnegut’s lesser-known and underappreciated 1987 novel Bluebeard, which is analyzed and interpreted in the light of Marianne Hirsch’s seminal theory of postmemory. Even though it was published prior to Hirsch’s formulation of
Alicja Piechucka
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Not seeing Auschwitz: memory, generation and representations of the Holocaust in twenty-first century French comics [PDF]
We are reaching a point in history when the generation who experienced the Holocaust as survivors, witnesses or exiles will soon disappear. What happens to our relationship to such a momentous event in global history when our living connection with such ...
Gorrara, Claire
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Metacinema as Diasporic Postmemory in Justin Chon’s Blue Bayou (2021)
Blue Bayou (2021), a film by Justin Chon, presents issues of imagination, postmemory, and identity through self-referential techniques. Referring to Marianne Hirsch’s theory on postmemory, this article examines how this film represents imagined moments ...
Damia Rizka Ghassani +1 more
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In this paper, Schwartz offers a gendered analysis of Mészáros’s most recent feature film [‘Aurora Borealis’]. She argues that the film presents a transnational narrative about repressed traumatic memories as they pertain to sexual and political violence
Agatha Schwartz
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Making meaning and meaning making: memory, postmemory and narrative in Holocaust literature [PDF]
This paper explores links between narration and memory in Holocaust literature and examines ways in which individuals construct memory and postmemory.
Flower, Annie
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Hidden Traces: Memory, Family, Photography, and the Holocaust [PDF]
Marianne Hirsch, The Generation of Postmemory. Writing and Visual Culture After the Holocaust, New York: Columbia University Press, 2012, 320 p.
Ludmila Bîrsan
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Memory, Identity and Migrant Generations: Articulating Italianità in Twentieth- and Twenty-First-Century Northern England through the Case of Kingston upon Hull [PDF]
Owing to its geographical location and the collapse of its fishing and shipping industries, the UK city of Kingston upon Hull post-WWII rapidly acquired a reputation as a declining outpost of the British nation with no real links to the rest of the world.
Haworth, Rachel, Rorato, Laura
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Getting it All in the Right Order: the Love Plot, Trauma and Ethical Uncertainty in Rachel Seiffert’s Afterwards [PDF]
This article analyzes Seiffert’s Afterwards (2007), which, in marked contrast to her debut publication, The Dark Room (2001), has received scarce critical attention.
Monnickendam, Andrew
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La littérature au temps de la post-mémoire : écriture et résilience chez Andreï Makine [PDF]
Dans cet article, nous explorons les concepts d’écriture, de mémoire et de résilience sous l’angle de la post-mémoire, terme employé par Marianne Hirsch pour décrire l’expérience d’artistes qui ont grandi entourés des récits de survivants de la Deuxième ...
Bellemare-Page, Stéphanie
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Postzależnościowe ujęcie tożsamości zbiorowej Rosjan w filmie Ładunek 200 Aleksieja Bałabanowa
Post-dependent Russian identity in Aleksey Balabanov’s Cargo 200 The aim of this paper is to demonstrate how Alexei Balabanov constructs the image of contemporary Russian collective identity around the idea of the post-dependence on the traumatic ...
Paulina Gorlewska
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