Results 111 to 120 of about 77,071 (224)

Ancient DNA Reveals Limited Hunter‐Gatherer Ancestry in the Cerny Culture (Middle Neolithic, France) Despite Hunting‐Associated Practices

open access: yesAmerican Journal of Biological Anthropology, Volume 191, Issue 1, September 2026.
ABSTRACT The arrival of the Neolithic way of life in Europe is associated with the migration of Anatolian farmers and their admixture with local hunter‐gatherers. In the Paris Basin (Northern France), the Middle Neolithic Cerny culture (4700–4300 bce) combines agricultural practices with funerary items linked to hunting, suggesting a particular ...
Juliette Sauvage   +10 more
wiley   +1 more source

An Experimental Approach to Studying the Technology of Pottery Decoration

open access: yesEXARC Journal, 2014
The early Middle Chalcolithic pottery tradition of Seh Gabi Tepe in Iran is called Dalma tradition. Among the different types of Dalma pottery, I have focused on monochrome painted ceramics, to investigate, by means of experimental analysis, how their ...
Golnaz Hossein Mardi
doaj  

The Usage History of the Aqueduct of Nîmes Reconstructed From Carbonate Archives: Operation, Modifications and Late Antique Breakdown and Change

open access: yesGeoarchaeology, Volume 41, Issue 5, September/October 2026.
ABSTRACT Anthropogenic carbonate deposits in Roman aqueducts can provide detailed environmental and archaeological information. The Roman aqueduct of Nîmes (France), famed for the Pont du Gard bridge, was built around AD 50 to convey water over 50 km to the city of Nemausus for drinking and bathing.
Gül Sürmelihindi   +7 more
wiley   +1 more source

Where are the handmade Pots? Thoughts on the Composition of the Ceramic Material from the Iron Age Central Settlement at Neubau in the Context of Neighbouring Regions [PDF]

open access: yesStudia Hercynia
The LT C2 – LT D central settlement near Neubau, in the vicinity of Linz, Upper Austria, with its voluminous pottery ensemble, offers opportunities for the study of La Tène pottery. Important characteristics of the find complex are the high proportion of
Robin Bernhard Franke
doaj  

Geophysical Surveys and LiDAR Topographic Analysis of the Vallum and Its Wider Landscape at Milking Gap, Hadrian's Wall

open access: yesGeoarchaeology, Volume 41, Issue 5, September/October 2026.
ABSTRACT We present the results of geophysical surveys and LiDAR analysis of the Vallum and wider landscape at Milking Gap, on Hadrian's Wall. Magnetic gradiometry and Electrical Resistivity Tomography (ERT) surveys were utilised to investigate the landscape context of the Vallum and provide insight into the stratigraphy of the preserved earthworks ...
Sam Bithell   +2 more
wiley   +1 more source

Corrosion mechanisms for lead-glazed pottery from Qibi Ming Tomb of the Tang Dynasty in Xianyang, China

open access: yesHeritage Science
Six corroded glazed pottery figurines, which excavated from the Qibi Ming Tomb of the Tang Dynasty in Xianyang, were selected to study the corrosion mechanism.
Yanli Li   +5 more
doaj   +1 more source

Topic: Smallholder Farmers' Adaptation Practices to the Effects of Land Degradation on Livelihoods in Semi‐Arid Ghana

open access: yesLand Degradation &Development, Volume 37, Issue 15, Page 11459-11473, September 2026.
ABSTRACT Although several environmental challenges exist globally, land degradation is the greatest threat and risk factor wedging human livelihoods. Despite widespread awareness of climate change, little empirical evidence exists on land degradation and its impacts on livelihoods in semi‐arid agroecological systems.
Philip Aniah   +3 more
wiley   +1 more source

Pottery, Beyköy

open access: yes, 2015
Image of the pottery samples from the Beyköy village near a mound/tell. Artifacts are identified as Chalcolithic, Late Bronze Age, Phrygian and Byzantine pottery currently housed in the Afyon Museum.135 film (36×24 ...
Hüryılmaz, Halime
core  

Microstructural Analyses of Salt‐Glazed Ceramics

open access: yesJournal of the American Ceramic Society, Volume 109, Issue 9, September 2026.
ABSTRACT Defining features of certain salt‐glazed studio pottery are a surface texture akin to orange peel, with mm‐scale dimples across the ware, and fine‐scale cracking within the salt glaze. There is remarkably little information in the scientific literature to explain the reasons for the formation of the orange peel effect or to specify the length ...
Kevin M. Knowles   +2 more
wiley   +1 more source

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