Results 211 to 220 of about 299,432 (335)

Why Do Prosocial People Dislike Markets in Some Countries and Like Them in Others?

open access: yesKyklos, EarlyView.
ABSTRACT Based on the doux commerce thesis, which suggests that people in market‐oriented societies hold stronger prosocial values than those in less market‐oriented ones, one can expect prosocial and pro‐market values to be positively associated. The fact that the association holds for cross‐country observations but does not universally hold for cross‐
Pál Czeglédi
wiley   +1 more source

Morpheme knowledge is shaped by information available through orthography. [PDF]

open access: yesPsychon Bull Rev
Korochkina M   +3 more
europepmc   +1 more source

The (trans)national Russian religious imagination in exile: Iulia de Beausobre (1893‐1977)

open access: yesModern Theology, EarlyView.
Abstract The article offers a case study of how Russian Orthodox who migrated from the Soviet Union after the Bolshevik Revolution of 1917 reimagined their religious identity and their church in a transnational setting. Iulia de Beausobre (1893‐1977) was a Russian aristocrat who fell victim to the Stalinist purges but survived the Soviet prison system ...
Ruth Coates
wiley   +1 more source

Towards a sweetpotato genomic-enabled breeding: optimizing two-stage analysis of multi-environment augmented trials. [PDF]

open access: yesTheor Appl Genet
Chaves S   +9 more
europepmc   +1 more source

Between and Beyond: Negotiating Belonging Within Queer Borderlands

open access: yesNations and Nationalism, EarlyView.
ABSTRACT Belonging is an affective, social and biopolitical phenomenon which is relationally negotiated and which produces material and symbolic ‘borders’. Subsequently, the politics of belonging refers to the construction, maintenance and policing of the borders of belonging.
Meg Poff
wiley   +1 more source

Dancing Ambiguity: Nora and the Politics of Cultural Nationalisation in Southern Thailand

open access: yesNations and Nationalism, EarlyView.
ABSTRACT This paper examines Nora, a traditional dance‐drama from southern Thailand, through its designation as UNESCO Intangible Cultural Heritage (2021) and the Thai government's recognition of its performers as National Artists (2018, 2021). It situates these actions within Thailand's cultural nationalisation.
Goeun Kim
wiley   +1 more source

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