Results 21 to 30 of about 869 (159)
Artists’ rights in printmaking during the Old Masters period [PDF]
The aim of this paper is to present a historic view on artists’ rights in printmaking before the advent of modern copyright protections. Previously, privilege was the main form of legal protection.
Rybak-Karkosz, Olivia
core +1 more source
This essay explores how lithographic printing connected colonial society in India to global developments in the making of middle‐class culture. It focuses on two print portrait series that the artist Colesworthy Grant (1813–80) released in illustrated periodicals: Lithographic Sketches of the Public Characters of Calcutta; and A Series of Miscellaneous
Tom Young
wiley +1 more source
With the passage of time, information technology has been implicitly embedded in people’s lives, bringing an important impact on artists’ creations. Modern painting technology is advanced, using electronic products, digital devices, electronic hand‐painting tools, and other equipment to simulate the real texture of brush strokes to paint the style and ...
Changhuan Chen, Sweta Bhattacharya
wiley +1 more source
Fusion of Digital Printmaking and Traditional Printmaking Using Edge Computing Optimization Model
With the development of the digital age, the hardware equipment and system software of digital painting are becoming more and more popular, and the penetration of digital technology in the field of printmaking is getting deeper and deeper. However, traditional skills are gradually being eroded under the pressure of a homogeneous and efficient modern ...
Hao Zhang +3 more
wiley +1 more source
Design and development of a hybrid flat-bed relief printmaking machine – A review
Printmaking is an area of visual arts which deals with different processes in the multi-production of art works. The study discusses the various methodologies and processes involved in printmaking such as the linocut technique, etching, line engraving ...
David O Fakorede +2 more
core +1 more source
[Retracted] The Application and Teaching of Digital Technology in Printmaking
Along with the popularization of digital technology, artists began to use digital technology as a technological means to make more attempts in the creation of print art, thereby breaking through the formal constraints. The diversity of information technology inspires artists’ creative inspiration and makes the development of art move in a more varied ...
Hao Zhang, Hongyan Zheng, Jian Su
wiley +1 more source
Une leçon japonaise : la gravure sur bois en couleurs en France, 1889-1939
The use of Japanese printmaking techniques by a handful of French engravers was part of a dual process involving the revival of the original woodcut and the advent of colour in Western printmaking.
Philippe Le Stum
doaj +1 more source
Nanotechnology and metal engraving: collaborative work in scientific laboratory
This text is part of the postdoctoral research, developed in PPG in Pharmaceutical Sciences of UFRGS, in 2018, with funding from CNPq. The main goal of the research is to use nanotechnology knowledge to characterize, plan, develop and produce alternative
Angela Raffin Pohlmann +3 more
doaj +1 more source
Fedor Iordan’s Engraving of Raphael’s Transfiguration, 1835-1850 [PDF]
Fedor Iordan (1800-1883) spent more than twenty years in Europe studying printmaking as a pensioner of the Russian Imperial Academy of Arts: first in Paris, then in London, and finally, from 1835 in Rome, where he embarked on his monumental engraving of ...
Mardilovich, Galina
core +1 more source
The role of 3D printing in original printmaking and graphic production
This study explores the functional role of 3D printers in original printmaking, a graphic production technique. Traditional methods like linocut, engraving, and intaglio have limited integration with modern digital manufacturing technologies.
Bayram Armutcı
doaj +1 more source

