Results 61 to 70 of about 1,853 (183)

La junta luz di Juan Gelman: un oratorio contro il silenzio

Lea, 2014
Juan Gelman is generally considered by critics to be one of the most important poets of modern Argentina. Born in Buenos Aires in 1930 from Russian-Jewish parents, he published his first collection of poems (Violín y otras cuestiones) in 1956.
Arianna Fiore
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Identidades estigmatizadas y su refiguración performativa en César debe morir

Fotocinema: Revista Científica de Cine y Fotografía, 2016
El filósofo Ian Hacking ha afirmado, siguiendo a Sartre: “Posibilidad, proyecto y prisión son una misma cosa”. En ese trabajo, nos interesa seguir esta pista utilizando como desencadenante del análisis el film César debe morir (Paolo y Vittorio Taviani ...
Moira Pérez, Gilda Bevilacqua
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Warszawski listopad teatralny 1918: „Z dni przełomu”

Pamiętnik Teatralny, 2018
This article presents events of the exceptionally stormy month in the capital of Poland at the time the country was regaining independence. Warsaw was the arena and focal point of the most significant political events: the return of Józef Piłsudski after
Tomasz Mościcki
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Staging the Outcast in Brendan Behan’s Three Prison Dramas [PDF]

Estudios Irlandeses, 2020
Brendan Behan’s portraits of the Irish Republican Army and the working-class community brought many previously unseen characters to light, including prison inmates, prostitutes, homosexuals and so forth. However, the most notable aspect of Behan’s dramas
Wei H. Kao
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Bandidos e valentes: percorrendo os caminhos marginais da extensão universitária numa prática pedagógica entre o teatro e o enclausuramento

Pitágoras 500, 2013
This paper examines some aspects of the pedagogical practices developed in the project Theatre in Prison: a pedagogical experiment that involves the citizen responsibilities. The project took place at the Federal University of the State of Rio de Janeiro,
Viviane Bercker Narvaes
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Half-opened Doors: an ethnographic account from a drama play with prison inmates – beyond the show…

Revista Brasileira de Estudos da Presença, 2014
This paper aims to ethnographically report an experiment from a workshop entitled Playing with Theater, which was developed in a prison context from 2008 to 2009 as an observer-participant in a shed known as Escola do Presídio (Prison School), in the ...
Micael Côrtes
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Progress and atrocity: the dual psychiatric legacy of Vienna's Steinhof Hospital. [PDF]

BJPsych Bull, 2023
Smith A, Voren RV, Liebrenz M.
europepmc   +1 more source

The Struggle for a Free Theatre | Or “Long Live Belarus”

Critical Stages, 2011
« Il nous faut trouver un moyen de retourner au Bélarus pour soutenir nos enfants là-bas. Il faut aussi tenir compte des choix personnels des acteurs. Le principal, c’est que nous ayons reçu ce soutien exceptionnel de la part de la communauté théâtrale ...
Randy Gener
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Staging Prison Theatre in Canada

For over forty years, William Head on Stage (WHoS) has operated as an inmate-run prison theatre, making it one of Canada’s longest-standing prison arts initiatives.Staging Prison Theatre in Canada: Setting the Spotlight on William Head on Stage delves into the story of WHoS through the voices of the men involved, offering a unique criminological ...
Ridha, Thana, Frigon, Sylvie
openaire   +3 more sources

TENTATIVE D’EVASION DES DETENUS DE LA PRISON CENTRALE DE MAKALA DU 02 SEPTEMBRE 2024 : GOUVERNANCE CARCERALE DEFICITAIRE ET ESQUISSE DE SOLUTIONS ALTERNATIVES [PDF]

Cahiers Africains des Droits de l’Homme et de la Démocratie ainsi que du Développement Durable
La nuit du 1er au 02 septembre 2024 a été le théâtre d’un drame inhabituel au sein du Centre Pénitentiaire et de Rééducation de Kinshasa, communément appelé « la Prison centrale de Makala », la flambée de violences à la suite d’une tentative d’évasion ...
Aruna NDARABU AMURANI
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