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Modern Intellectual History, 2015
The general theme that unites the works to be discussed here is the history of psychoanalysis in America over the past hundred years, particularly during the heyday of its public impact from the 1950s through the 1970s. The broad outlines of this story have been well known for some time.
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The general theme that unites the works to be discussed here is the history of psychoanalysis in America over the past hundred years, particularly during the heyday of its public impact from the 1950s through the 1970s. The broad outlines of this story have been well known for some time.
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Psychoanalysis as medicine, psychoanalysis as religion
Journal of Religion and Health, 1995The author explores unfavorable comparisons between psychoanalysts and medical psychiatry, tracing the crisis in the mental health fields created by managed care. This current crisis is traced to an historical identification with the medical profession and a more recent dependence on third-party payments.
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Psychoanalysis and existential psychoanalysis
2014Throughout his work Sartre has demonstrated a deep and continuing interest both in psychological theory in general and psychoanalysis in particular. His writing on psychological themes began with his thesis at the Ecole Normale Superieure in 1927, which was later published in revised form as the first part of Imagination (Sartre 1936, 1972a). This
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The Contributions of Child Psychoanalysis to Psychoanalysis
The Psychoanalytic Study of the Child, 1986(1986). The Contributions of Child Psychoanalysis to Psychoanalysis. The Psychoanalytic Study of the Child: Vol. 41, No. 1, pp. 61-87.
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2015
This chapter analyses Pedro Almodóvar's Talk to Her (2002) using psychoanalytic film theory. Early psychoanalytic film theory invited the spectator to decode the unconscious of the film-maker, seeing film as a projection or expression of the film-maker's unconscious.
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This chapter analyses Pedro Almodóvar's Talk to Her (2002) using psychoanalytic film theory. Early psychoanalytic film theory invited the spectator to decode the unconscious of the film-maker, seeing film as a projection or expression of the film-maker's unconscious.
openaire +2 more sources