Results 321 to 330 of about 9,987,655 (353)
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The Art of Public Speaking and the Art of Interpretation
FORUM. Revue internationale d’interprétation et de traduction / International Journal of Interpretation and Translation, 2008Une des formes les plus visibles de l'interpretation est l'interpretation consecutive parce que l'interprete se retrouve devant l'auditoire auquel s’adresse le veritable orateur. Mais prendre la parole en public est une chose a laquelle meme les novices font face - certains avec plus de succes que d'autres. Parler en public est enseigne dans les ecoles
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On the Relations of Public Art and Private Art
College Art Journal, 1947when I look upon El Greco's Ecstacy in the Garden; on the fan-vaulting in Christ Church, Oxford, or on Kolbe's Adagio; hear Brahms' First Symphony or read Antigone—then I do not doubt that the experiences evoked are individual and personal nor that they are brought forth by unique and individual artistic skill, perhaps by artists who, as Plato thought,
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2008
Foreword Section One: Out of Theory * Cameron Cartiere (Birkbeck College, University of London): Coming in from the Cold: a Public Art History * Suzanne Lacy (Otis College of Art and Design): New Genre Public Art a Decade Later * Jane Rendell (University College, London): 'Space, Place and Site in Critical Spatial Arts Practice' * Maggie Adamek ...
Cameron Cartiere, Shelly Willis
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Foreword Section One: Out of Theory * Cameron Cartiere (Birkbeck College, University of London): Coming in from the Cold: a Public Art History * Suzanne Lacy (Otis College of Art and Design): New Genre Public Art a Decade Later * Jane Rendell (University College, London): 'Space, Place and Site in Critical Spatial Arts Practice' * Maggie Adamek ...
Cameron Cartiere, Shelly Willis
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Art, architecture and their public
The Journal of Architecture, 2002(2002). Art, architecture and their public. The Journal of Architecture: Vol. 7, No. 4, pp. 383-390.
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Public Policymaking and the Arts
Journal of Aesthetic Education, 1978The art community constantly pleads poverty and, much like a street urchin, pulls at the pockets of government to solve its financial woes. True, there is a demand for art within this country; and true, there is a lingering financial crisis that threatens our cultural lives.
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Journal of Education, 1898