Results 181 to 190 of about 2,023,129 (352)
Poems, Pulses and Polygons: How Classical Arabic Poetry Resonates with Music and Geometry
Mohamad Elzohbi, Richard Zhao
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Acoustic pulse reflectometry for the measurement of musical wind instruments
The bore profile and input impedance of a musical wind instrument provide valuable information about its acoustical properties. The time domain technique of acoustic pulse reflectometry can be used to measure the input impulse response of a tubular object, such as a wind instrument, from which both its bore profile and input impedance\ud can be ...
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Summary All new vehicle types within the European Union must now be equipped with a driver drowsiness and attention warning system starting from 2022. The specific requirements for the test procedure necessary for type approval are defined in the Annex of EU Regulation C/2021/2639.
Christer Ahlström, Anna Anund
wiley +1 more source
Exploring differences between groove and catchiness. [PDF]
Bechtold TA, Curry B, Witek MAG.
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Becoming Dostoevsky (how Rowan Williams opens up Bakhtin)
Abstract With the end of Communism in Russia, non‐materialist contexts were enthusiastically restored to Mikhail Bakhtin's globally famous ideas of carnival, dialogism, and polyphony. This essay surveys Rowan Williams's 2008 study Dostoevsky: Language, Faith + Fiction as a major contribution to this effort, concentrating on those general philosophical ...
Caryl Emerson
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The relative contributions of subjective and musical factors in music for sleep. [PDF]
Kirk R +3 more
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The Off‐Tonic Recapitulation in Context: a Study in Fuzziness
ABSTRACT The double return of the principal theme and home key has long held pride of place in theories of sonata form. For James Webster (2001) it is the paramount feature of sonata form; similarly, for James Hepokoski and Warren Darcy (2006) it is the feature that lies at the heart of their sonata‐theory typology, distinguishing between their types 1,
YOEL GREENBERG
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Cognitive Theories of Galant Music at the Margins of Experience
ABSTRACT Leading cognitive studies of galant music treat schematism as both a device and an ethos. The devices – whether called pre‐fabs, tiles or schemata – undergird a mechanistic and passive ethos of inventiveness. In vision and practice, this constellation of approaches directs inquiry away from a musical depth that one contemplates and towards a ...
Edmund J. Goehring
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Some basic observations on how people move on music and how they relate music to movement. [PDF]
Leman, Marc +2 more
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