Results 181 to 190 of about 2,023,129 (352)

Acoustic pulse reflectometry for the measurement of musical wind instruments

open access: yes, 1996
The bore profile and input impedance of a musical wind instrument provide valuable information about its acoustical properties. The time domain technique of acoustic pulse reflectometry can be used to measure the input impulse response of a tubular object, such as a wind instrument, from which both its bore profile and input impedance\ud can be ...
openaire   +1 more source

Guises of Despair

open access: yes
European Journal of Philosophy, EarlyView.
Béatrice Han‐Pile
wiley   +1 more source

Development of sleepiness in professional truck drivers: Real‐road testing for driver drowsiness and attention warning (DDAW) system evaluation

open access: yesJournal of Sleep Research, Volume 34, Issue 2, April 2025.
Summary All new vehicle types within the European Union must now be equipped with a driver drowsiness and attention warning system starting from 2022. The specific requirements for the test procedure necessary for type approval are defined in the Annex of EU Regulation C/2021/2639.
Christer Ahlström, Anna Anund
wiley   +1 more source

Exploring differences between groove and catchiness. [PDF]

open access: yesFront Psychol
Bechtold TA, Curry B, Witek MAG.
europepmc   +1 more source

Becoming Dostoevsky (how Rowan Williams opens up Bakhtin)

open access: yesModern Theology, EarlyView.
Abstract With the end of Communism in Russia, non‐materialist contexts were enthusiastically restored to Mikhail Bakhtin's globally famous ideas of carnival, dialogism, and polyphony. This essay surveys Rowan Williams's 2008 study Dostoevsky: Language, Faith + Fiction as a major contribution to this effort, concentrating on those general philosophical ...
Caryl Emerson
wiley   +1 more source

The Off‐Tonic Recapitulation in Context: a Study in Fuzziness

open access: yesMusic Analysis, EarlyView.
ABSTRACT The double return of the principal theme and home key has long held pride of place in theories of sonata form. For James Webster (2001) it is the paramount feature of sonata form; similarly, for James Hepokoski and Warren Darcy (2006) it is the feature that lies at the heart of their sonata‐theory typology, distinguishing between their types 1,
YOEL GREENBERG
wiley   +1 more source

Cognitive Theories of Galant Music at the Margins of Experience

open access: yesMusic Analysis, EarlyView.
ABSTRACT Leading cognitive studies of galant music treat schematism as both a device and an ethos. The devices – whether called pre‐fabs, tiles or schemata – undergird a mechanistic and passive ethos of inventiveness. In vision and practice, this constellation of approaches directs inquiry away from a musical depth that one contemplates and towards a ...
Edmund J. Goehring
wiley   +1 more source

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