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Neurobiologic Functions of Rhythm, Time, and Pulse in Music
1982Rhythm means reiteration — in space, or in time, or in both. We shall be concerned with rhythms in time, and, in particular, rhythms encompassed on a time scale in which music has grown. We will attempt to inquire into aspects of how such rhythms are produced, perceived, imagined, experienced, and expressed in sound and in movement, and how these ...
Manfred Clynes, Janice Walker
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Co-pulse: Light Based Emotional Design in Musical Performances
2014The main research areas of emotional design have been divided into three parts, which are product form, function and culture. However, culture-related emotional experience has less research results to date. In this paper, we combine a unique approach with three levels of emotional design.
Junjie Yu, Ke Fang, Zhiyong Fu
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PULSE: An infrastructure for collection of audience heartbeats for music visualization
2016 IEEE International Conference on Pervasive Computing and Communication Workshops (PerCom Workshops), 2016In this demo, we present an infrastructure for real-time, crowd sourced heartbeat detection designed for use during a musical performance. Specially designed pulse sensors are used in conjunction with mobile devices to measure, transmit, and synchronize users' individual and collective heartbeat data with procedurally generated visuals as they listen ...
Joe Geigel +9 more
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Backscattering at a pulsed neutron source, the MUSICAL instrument
Nuclear Instruments and Methods in Physics Research Section A: Accelerators, Spectrometers, Detectors and Associated Equipment, 1995Abstract In the first part the principles of the neutron backscattering method are described and some simple considerations about the energy resolution and the intensity are presented. A prototype of a backscattering instrument, the first Julich instrument, is explained in some detail and a representative measurement is shown which was performed on ...
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When the pulse of the song goes on: Fade-out in popular music and the pulse continuity phenomenon
Psychology of Music, 2013This exploratory study investigated the effect of different types of song closure in popular music on pulse continuation behaviour. We compared the perceptual effects of the so-called “fade-out” song closure with the so-called “cold end” (arranged end).
Reinhard Kopiez +3 more
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The Journal of the Acoustical Society of America, 1993
A music synthesizer simulates the musical tones of bowed string and wind instruments. The synthesizer includes a noise generator which generates pulsed noise signals, as well as a resonant system or signal generator which generates deterministic or periodic signals.
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A music synthesizer simulates the musical tones of bowed string and wind instruments. The synthesizer includes a noise generator which generates pulsed noise signals, as well as a resonant system or signal generator which generates deterministic or periodic signals.
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Pulse-time-modulation terminals for music transmission over radio links
Proceedings of the IEE - Part B: Radio and Electronic Engineering, 1956A communication system is described which enables three music circuits and an engineer's circuit to be combined. The combination is effected by using pulse time modulation in four time-division multiplexed channels. The purpose of the system is to enable a microwave link, intended for the transmission of television signals, to carry audio signals of ...
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Microstructural musical linguistics: composers' pulses are liked most by the best musicians
Cognition, 1995Western music is a combination of notated structure plus microstructure. Composers' pulses, as precise microstructural functions, were tested with five groups of subjects of graded musical proficiency: (1) 10 famous artists including Vladimir Ashkenazy, Yehudi Menuhin, Paul Badura-Skoda and others; (2) 14 Julliard School of Music graduate students; (3)
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The Music of the Pulse in Marsilio Ficino’s Timaeus Commentary
2012This chapter on Italian Renaissance philosopher Marsilio Ficino's beliefs regarding the music of the pulse aims to show the extent to which this particular topic functioned as a key concept in his ideas about human physiology and medicine. This chapter outlines the physiological bases for music therapy in Ficino's Timaeus commentary, and then explores ...
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A Perceptual Model of Pulse Salience and Metrical Accent in Musical Rhythms
Music Perception, 1994In Experiment 1, six cyclically repeating interonset interval patterns (1,2:1,2:1:1,3:2:1,3:1:2, and 2:1:1:2) were each presented at six different note rates (very slow to very fast). Each trial began at a random point in the rhythmic cycle. Listeners were asked to tap along with the underlying beat or pulse.
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