Results 51 to 60 of about 40,385 (108)

Neurobiologic Functions of Rhythm, Time, and Pulse in Music

open access: closed, 1982
Rhythm means reiteration — in space, or in time, or in both. We shall be concerned with rhythms in time, and, in particular, rhythms encompassed on a time scale in which music has grown. We will attempt to inquire into aspects of how such rhythms are produced, perceived, imagined, experienced, and expressed in sound and in movement, and how these ...
Manfred Clynes, Janice Walker
openaire   +3 more sources

Pulse-time-modulation terminals for music transmission over radio links [PDF]

open access: closedProceedings of the IEE - Part B: Radio and Electronic Engineering, 1956
A communication system is described which enables three music circuits and an engineer's circuit to be combined. The combination is effected by using pulse time modulation in four time-division multiplexed channels. The purpose of the system is to enable a microwave link, intended for the transmission of television signals, to carry audio signals of ...
R.F. Rous
openaire   +2 more sources

Pulse-dependent analyses of percussive music

open access: closedIEEE International Conference on Acoustics Speech and Signal Processing, 2002
We report on a method of automatic extraction of a metrical attribute from percussive music audio signals: the smallest rhythmic pulse, called the iticki. The relevance of use of this feature in the framework of subsequent analyses is discussed and evaluated.
Pedro Cano   +2 more
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When the pulse of the song goes on: Fade-out in popular music and the pulse continuity phenomenon

open access: closedPsychology of Music, 2013
This exploratory study investigated the effect of different types of song closure in popular music on pulse continuation behaviour. We compared the perceptual effects of the so-called “fade-out” song closure with the so-called “cold end” (arranged end).
Reinhard Kopiez   +3 more
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The use of pulse code modulation for point-to-point music transmission

open access: closedRadio and Electronic Engineer, 1969
The advent of pulse code modulation (p.c.m.) techniques heralds the possibility of extremely reliable and completely distortionless distribution and processing of audio signals. In this paper, the basic requirements for audio circuits of broadcast quality are reviewed, and the specification of a p.c.m. system satisfying these requirements is developed.
A.H. Jones, E.R. Rout
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The Music of Pulse in the Writings of Italian Academic Physicians (Fourteenth and Fifteenth Centuries)

open access: closedSpeculum, 1975
IT is well known that the belief that music is inherent in the beating of the pulse was widely held throughout the Middle Ages. Numerous brief but explicit statements of this belief, and of the associated ideas that music is present in other bodily rhythms and or in the virtues and humors can be culled from the writings on music of music theorists and ...
Nancy G. Siraisi
openaire   +4 more sources
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Resonance in the Perception of Musical Pulse

Journal of New Music Research, 1999
A number of phenomena related to the perception of isochronous tone sequences peak at a certain rate (or tempo) and taper off at both slower and faster rates. In the present paper we start from the hypothesis that the peaking finds its origin in the presence of a damped resonating oscillator in the perceptual-motor system.
Leon van Noorden, Dirk Moelants
openaire   +2 more sources

Hearing Music while Checking a Pulse

New England Journal of Medicine, 2020
Hearing Music while Checking a Pulse A 65-year-old man who had previously undergone bilateral hip arthroplasty presented with a dislocated hip after a fall.
openaire   +3 more sources

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