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Funkcje „znaczącego ujęcia” w popularnym wariancie „puzzle films”
Autorka koncentruje się na „znaczących ujęciach” w popularnym (w opozycji do bieguna heavy weight) wariancie puzzle films. Ujęcie jest identyfikowane jako znaczące, jeśli pełni uprzywilejowaną rolę w strukturze tekstu filmowego.
Natasza Korczarowska
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Impossible puzzle films, or the attraction of sense-making
Journal of Science and Technology of the Arts, v. 9 n.
Fátima Chinita
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The martensitic microstructure decides on the functional properties of shape memory alloys. However, for the most commonly used alloy, NiTi, it is still unclear how its microstructure is built up because the analysis is hampered by grain boundaries of ...
Klara Lünser +4 more
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Effect of Adding Emotion Recognition to Film Teaching—Impact of Emotion Feedback on Learning through Puzzle Films [PDF]
In this study, the scientific puzzle film, “Story of the Comet”, is taken as a case to implement scientific teaching to guide students to find correct answers, through which it can train their learning and judging abilities. The students in the experimental group received the scientific teaching guiding system of the puzzle film “Story of the Comet ...
Tsai, Shang-Chin, Lin, Hao-Chiang Koong
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Atomic sawtooth-like metal films for vdW-layered single-crystal growth [PDF]
Atomic sawtooth surfaces have emerged as a versatile platform for growth of single-crystal van der Waals layered materials. However, the mechanism governing the formation of single-crystal atomic sawtooth metal (copper or gold) films on hard substrates ...
Hayoung Ko +9 more
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Chinese Censorship, Genre Mediation, and the Puzzle Films of Leste Chen
This chapter examines two Chinese “puzzle films” directed by Leste Chen: The Great Hypnotist (2014) and Battle of Memories (2017). Both films subscribe to an international mode of complex storytelling, conjuring narrative surprise and suspense by manipulating the most basic of the viewer’s filmic expectations. The chapter not only demonstrates how Chen’
exaly +2 more sources
Paranoja „noir”. Ukryta rzeczywistość czarnego kryminału
Paranoja jest częstym tematem filmowo-serialowym, ujawniającym się zarówno w udramatyzowanych reprezentacjach zaburzeń, jak i w narracjach spiskowych.
Patrycja Włodek
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The deceptive clues in the impossible puzzle film confirm the viewer’s internal expectations and allow retrospective attributing. In the film, a transcendental object negates an internal expectation, causing a retrospective blockage. Retrospectivity does
Yu Yang
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Este artículo analiza diversas obras del cine español contemporáneo como integrantes de una tendencia experimental de la complejidad audiovisual contemporánea: las llamadas puzzle films o mind-game films.
Teresa Sorolla-Romero
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Hitchcock's Undertexts: Objects and Language
This article explores the way in which the generative capacity of language inflects objects and props in several films by Alfred Hitchcock, focusing in particular on Rope (1948) and Strangers on a Train (1951).
Brigitte Peucker
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