In Europe, the use of colored stained glass in the construction of church windows was common, reaching their peak during the Gothic period. On the other hand, the tendency to use colored glass, called Orosi (Sash), in Iranian architecture began in the ...
Samira Ashari, Amin Maleka
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The Variety of Arabesque-Rococo Patterns Applied in Naseri Furniture in Iran A Case Study: Decorations of Furniture in Bagh-e-Afifabad and in Narenjestan of Shiraz [PDF]
The term modern Iranian art, coming to the fore from the late Naseri era, refers to an integration of European patterns into decorative elements of the Persian art represented in a wide variety of art forms.
Parisa Shad Qhazvini +2 more
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Studying the Recognition: An Overview of the Qajar Tile Art with an Emphasis on the Basis of “Khaneh Atroush” Glazed Tile in Shiraz [PDF]
Since many centuries ago, the art of tiling in Iran has been one of the most remarkable and plausible arts. The tile art-work is related to the subject of architecture, and beside its decorative aspect, it maintains the building endurance against ...
Davoud Saremi Naeeni
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The Impact of Photography on the Visual Evolution of Lacquer Works in Qajar Period [PDF]
The Qajar dynasty came to power in 1785 and ruled until 1925. During this last phase of traditional Persian history, succeeding shahs tried to change the isolationist stance of the country by expanding cultural and economic interchange with the West. The
Sakineh Khatoun Mahmoudi +1 more
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An Analysis of the Visual Qualities of Two Narrative Curtains of Qajar Era (With an Emphasis on Similarities & Differences) [PDF]
Curtain design is one of the common forms of textile design during the Qajar era. Knitting methods, types of dying designs, application of specific mediums for decoration, crochet works, the type of stories to be narrated and the place where the curtains
M. Mounesi Sorkheh +1 more
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"Study of Urban Landscapes in the Paintings of Mahmoud Khan Malek al-Sho'ra with the Influence of Photography in the Second Period of the Qajar Era" [PDF]
During the Qajar period, one of the brilliant artists was Mahmoud Khan, the king of poets, who was one of the prominent masters in painting urban landscapes. His works have different backgrounds considering his time and he is known as one of the pioneers
Elaheh Panjehbashi
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A Comparative Analysis of Themes and Concepts and Composition of Safavid Sangeško Rug and the Qajar Rug [PDF]
Iranian rug is one of the most precious and ancient arts in Iranian culture and art history. Safavid era was the utmost of outstanding blossoming of rug weaving art in Iran.
Samad Najarpoor Jabbary +2 more
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Reassessing the Issue of Degeneration of Qajar Art with an Emphasis on Pottery [PDF]
A study of the research carried out in the field of Qajar pottery shows that the prevailing attitude towards this art during the past decades has generally been derived from a kind of negative thought, which is basically defined by keywords such as ...
Abolfazl Arabbeigi +2 more
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Study of the Features and Structure of the Embellishments of Facades in Tiled Buildings in Shiraz [PDF]
The Qajar era is one of the glorious periods of Iranian architecture, in which the doors are one of the topics used mainly for the decoration of the building.
Elahe PanjehBashi, fatemeh doulab
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Scrapbook of the Delaware Art Museum, 1975-1976
1 scrapbook; 131 pagesScrapbook compiled by the Delaware Art Museum for June 1974 through June ...
Delaware Art Museum
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