West's influence on the Iranian painting from the beginning of Qajar rule to the end of Naseri Era [PDF]
The Qajar period is one of the most important sections of art in Iran. The explicit effects of West art culminated in the age which the painting were also affected. In the Qajar period painting consciously inspired by the art of the Safavid period.
مصطفی لعل شاطری +2 more
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The Study of the Iconographic Features in Lithographic version One Thousand and One Nights of the Qajar Period [PDF]
The art of the Qajar period, by using the previous traditions and looking at Western naturalism and the literature of the rulers of this period, has introduced new features into the field of assembly ornamentations.
Marzieh Toraji
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Genealogy of the Calligraphic Designs in the Saqqakhaneh Movement [PDF]
Problem Definition: Although more than half a century has passed since the emergence of the Saqqakhaneh movement in Iranian modern art, it is still a subject of debate and disagreement as a symbol of modernism.
Arman Davoudi Abkenar +1 more
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Qajar Studies. Journal of the International Qajar Studies Association. Vol. III, Rotterdam, IQSA Publications, 2003. [PDF]
« Iranian Heraldry: The History of the Qajar Coat of Arms and a Forgotten Tradition of Heraldic Art in Persia » (pp. 9-29), par A. K. Zarrinkafsh, est une pérégrination sur l’origine du motif lion / soleil, adopté au 19e s.
Monik Kervran, Kervran, Monik
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Retrieval of Identity layers in Qajar Era (case study: ceramics) [PDF]
The Concept of Identity in all cultures and countries depends on religion, ideology, political and social relations and history. The identity in Artwork has different layers and each layer depends on different aspects.so in artworks we can study this ...
Mahmonir Shirazi +1 more
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A Comparative picture book layout angels in the Renaissance with the work of the Qajar lithography [PDF]
Pictures of angels in qajar and renaissance art periods are common and some times different properties this paper hes to deal with discovering similarities and differences of angles pictures in visual terms comparatively comparying Printed angels ...
Naghmeh safarzadeh +2 more
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Reflection of Women’s Portraits in Pictorial Carpets of Qajar Era [PDF]
Social researchers believe that since the production, distribution, and consumption of works of art occur by humans in the social contexts, they cannot be immune to the impacts of social variables; you can see the latent and visible traces of social ...
Abdollah Mirzaei, Fateme Bagherizadeh
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The politics of street names: Reconstructing Iran’s collective identity
Abstract With the radical political change in 1979, Iran's revolutionary state assumed the responsibility of re‐rewriting the past history to forge a new sense of belonging, a particularly collective religious (Shia) identity. It launched a complex process of forgetting and remembering to first eliminate the national (Persian), non‐religious memories ...
Ehsan Kashfi
wiley +1 more source
The Kurdish Janus: The intersocietal construction of nations
Abstract Existing accounts of Kurdish nationalism can be mapped onto the main theories of nationalism, that is, primordialism, ethnosymbolism and modernism. These theories, however, suffer, respectively, from essentialism, circularity and aporia, manifest in their common inability to digest the Janus‐like character of nations, that is, their display of
Kamran Matin, Jahangir Mahmoudi
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Investigating tiles with Qajar women motifs in houses of Shiraz [PDF]
The art of Qajar period includes many unique features and themes. One of the most exceptional features of Qajar artworks (painting on tiles) is women motifs depicted at semiprivate and private spaces, at houses of nobilities, and palaces.
Effat alsadat Afzal Tousi +2 more
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