Results 71 to 80 of about 258 (121)
Recent advances of ultrasound applications in the oil and gas industry. [PDF]
Ultrason SonochemMierez J +3 more
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Willem Floor. Wall Paintings and Other Figurative Mural Art in Qajar Iran. Costa Mesa (CA), Mazda Publishers, 2005, 208 p. et 13 ill. n.-b. [PDF]
Abstracta Iranica, 2007 openaire +2 more sources
The Development Prospects and Potential of High Specific Surface Area Materials: A Review of the Use of Porous Framework Materials for the Capture and Filtration of Ammonia. [PDF]
MoleculesYao W +6 more
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An enculturation-induced joy bias for emotion recognition in full-body-movement. [PDF]
Sci RepChristensen JF +7 more
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Reflections on Qajar Art and Its Significance
Iranian Studies, 2001It is with some reluctance that I agreed to contribute a few remarks to conclude a learned and fruitful colloquium and to react, once again, to a wonderful exhibition on Qajar art. My reluctance is simple to explain and to justify. Such professional competencies as I have are those of a medievalist who begins to feel slightly uneasy by the middle of ...
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Orient oder Rom?Qajar “Aryan” Architecture and Strzygowski's Art History
The Art Bulletin, 2007One of the most heated controversies of modern scholarship, the 1901 “Orient or Rome” debate was inflamed by the simultaneous publication of two books. While Italian archaeologist Giovanni Rivoira argued for the origin of Western architecture in Roman ingenuity, Austrian art historian Josef Strzygowski contended, “The true source of Western artistic ...
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Qajar Photography and its Relationship to Iranian Art: A Reassessment
History of Photography, 2013As the ultimate expression of modernity in the nineteenth century, photography was integral to the introduction of the modern state to Iran. The use of photography as a political tool and as a means of recording information during the reign of Nāser-ed-Din Shah Qajar (1848–96) is well documented.
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Iranian Studies, 2001
Paradoxical though it may seem, I would like to begin my discussion of Qajar photography with a little-known painting (pl. 1). The work of an anonymous mid-nineteenth-century artist, this image marks an aesthetic watershed. Here, an unknown artist is photographing Nasir al-Din Shah who is posing for a portrait. The image, of course, is meant to capture
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Paradoxical though it may seem, I would like to begin my discussion of Qajar photography with a little-known painting (pl. 1). The work of an anonymous mid-nineteenth-century artist, this image marks an aesthetic watershed. Here, an unknown artist is photographing Nasir al-Din Shah who is posing for a portrait. The image, of course, is meant to capture
openaire +1 more source