A Reflection on the Talismans of Qajar era and the Principal role of women in their formation and expansion [PDF]
هنر اسلامی, 2023 In the Qajar era, the tendency to superstition and various religious objects, including talismans and amulets, was very widespread, but historical documents show that women in Iranian society had a greater tendency than men to use talismans.
Azadeh Chakeri +2 more
doaj +1 more source
The British in Persia in the late Qajar Era: New Historical Evidence
, 2017 How can we document history in contexts where archives are either lacking or unusable, as was the case in Persia in the Qajar era (1796–1925)? Resorting to Western diplomatic and consular reports raises the issue of the background in which they were written and the readers they were intended for. The question largely extends beyond the context of Qajar
exaly +3 more sources
An Analysis of the Structure of Narrative in the Ghahraman Mirza Ein Al-Saltanah’s Diary [PDF]
تاریخ نگری و تاریخ نگاری, 2020 Ein Al-Saltanah can be one of the most important memoirists of the Qajar era, was one of the Mohammad Shah Qajar descendants. He began writing memories at the age of eleven and kept writing until a month before his death. A precise description of details
Somayeh Abbasi
doaj +1 more source
Reflection of Women’s Portraits in Pictorial Carpets of Qajar Era [PDF]
نگره, 2023 Social researchers believe that since the production, distribution, and consumption of works of art occur by humans in the social contexts, they cannot be immune to the impacts of social variables; you can see the latent and visible traces of social ...
Abdollah Mirzaei, Fateme Bagherizadeh
doaj +1 more source
Meta‐Virtuality: Strategies of Disembeddedness in Virtual Interiorities
Journal of Interior Design, EarlyView., 2022 ABSTRACT To reclaim their seat in the rapidly growing market of virtual space, designers of the built environment can benefit from reevaluating theories that see the virtual as a mere extension/reflection of the physical. By claiming ontological autonomy from external worlds, the virtual is liberated from the hegemonic control of the physical.
Vahid Vahdat
wiley +1 more source
Recognition of the spirit of Iranian architecture based on the behavioral typology of Nasserite Iranians from the perspective of foreign travel writers [PDF]
هنر اسلامی, 2022 During Qajar Era, due to the strategic position of Iran and the Persian Gulf, this region was of particular interest to the superior international powers; therefore, travelers, statesmen, ambassadors, and merchants from many different European and non ...
Seyed Mohiedeen Khalkhali +1 more
doaj +1 more source
Introduction of Modern Medicine and Its Evolutionary Aspects in Iran, Qajar Era (with Emphasis on Pictorial Manuscripts) [PDF]
هنر اسلامی, 2019 The present study deals with the analysis of modern medicine and its evolutionary aspects in Iran, Qajar Era with emphasis on pictorial manuscripts. Since health and treatment in Qajar Era was completely unorganized and unstable, introduction of modern ...
Farogh Touli +3 more
doaj +1 more source
An Investigation of Innovation in Inlay Style of Qajar Period Case Study: Inlaid pulpit Preserved at Golestan Palace [PDF]
نگره, 2021 Inlay is one of the methods of decorating the surface of wooden objects, notable examples of which have remained in artistic treasuries and collections from the Al-Muzaffar period to the present. A collection of inlaid works can be found in art galleries
Samira Arab +2 more
doaj +1 more source
Retrieval of Identity layers in Qajar Era (case study: ceramics) [PDF]
نگره, 2017 The Concept of Identity in all cultures and countries depends on religion, ideology, political and social relations and history. The identity in Artwork has different layers and each layer depends on different aspects.so in artworks we can study this ...
Mahmonir Shirazi +1 more
doaj +1 more source
Influences of Painting Basics and Cultural Factors in Type of Background's and Foreground's Composition in Photography of Qajar Era[1] [PDF]
Jilvah-i hunar, 2016 Qajar Era[1] Photography entered Iran with a time difference of three years after its invention in Europe, at the time of Qajar dynasty (1842 A.D. / 1258 A.H.) and grew with the growth of this dynasty. Photography needed a proper context at the beginning
R. Afhami Afhami Afhami +1 more
doaj +1 more source