A Study of an Illustrated Manuscript of the "Nameh-ye Khosravan" and Its Reflection in the Qajar Visual Arts [PDF]
نگره, 2015 Nameh-ye_Khosravan is a work of Jalal al-Din Mirza, Son of Fath Ali Shah Qajar, Which was written during the reign of Naser al-Din Shah Qajar. In accordance to this era’s way of thinking, the illustrated manuscript of the Nameh-ye Khosravan is ...
Mahmonir Shirazi +3 more
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The history of themes, subjects and visual structure of imaginary paintings (Khialinegari) in Iran`s art of Qajar era (According to written documents) [PDF]
هنر اسلامی, 2018 Khialinegari is an expression for describing a kind of narrative painting which has religious, heroic, epic, lyrical and popular content. It spread in Qajar era according to folk art and religious art while was impressed by the tradition of ...
Ali Reza Khajeh Ahmad Atari +4 more
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Survey on ways of painting development in the first part of Qajar period [PDF]
نگره, 2012 In Qajar era, Iran was strongly influenced by European industrial developments and other attractions and welcomed the arrival of their ideas and products. This process has gradually influenced on Iranian art, but certainly some traditions remained stable.
Siamak Alizadeh
doaj
Investigation and analysis of the characteristics of exile from the Minor Autocracy to the 1921coup [PDF]
پژوهش های تاریخی, 2019 The use of the ban on exile during the Qajar period was used to dispose of the influential person from the center. The princes and dwinnians were from this group of exiles. Meanwhile, the exile of the constitutional era is an exception.
mahmood sadat
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Examination of Shia Themes in the Pictures of the Lithographically-Printed Book Toufan-ol-Boka [PDF]
پیکره, 2017 The emergence of Shia themes in the artworks of Iran had taken place even before the Shia branch was declared as the formal religion of the country. The representation of the Shia themes in artworks in Iran, however, reached its summit in Safavaid era ...
Mahtab Mobini +1 more
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A Presentation and Classification of Pictorial Carpets of Qajar Era
Journal of History Culture and Art Research, 2017 As one of Iranian cultural industries, carpet owns an ancient background and archaism. Primarily, it has been created due to the needs. Iranian hand-made carpet, as a symbol of Iranian art, which is culturally and nationally so important, through the years it has been a suitable bed for emanation of beliefs and credence of local artists, which its ...
Laleh Ahani +2 more
openaire +2 more sources
Studia mythologica SlavicaThere have been extensive studies on the gender metamorphosis of divs, monstrous creatures of widespread presence in Persian lore. An interpretation of the evolution of nature, supernatural beings (including div), and the feminine presence within a ...
Nahid Jafari Dehkordi +1 more
semanticscholar +1 more source
Journal of Social-Political Studies of Iran's Culture and HistoryThe Qajar era is recognized as a pivotal period in the history of Iranian residential architecture. This period is distinguished by unique decorative motifs, including abstract arabesques and floral patterns, depictions of landscapes and hunting scenes ...
Laleh Hasanzadeh +2 more
semanticscholar +1 more source
Studying the Attribution of Time, Place and the Artist’s Identity to an Archway Decorated with Polychrome Tilework [PDF]
نگره, 2018 Tilework decoration has an importance role as an art in Iran's architecture. Almost all Iran's architectural masterpieces have taken advantage of glorious tilework that are beautifully painted.
zahra ghasemi, abolfazl arabbeigi
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The Variety of Arabesque-Rococo Patterns Applied in Naseri Furniture in Iran A Case Study: Decorations of Furniture in Bagh-e-Afifabad and in Narenjestan of Shiraz [PDF]
پیکره, 2016 The term modern Iranian art, coming to the fore from the late Naseri era, refers to an integration of European patterns into decorative elements of the Persian art represented in a wide variety of art forms.
Parisa Shad Qhazvini +2 more
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