The remained visual sources of Qajar art works can be studied as one of the referable, valid evidence for identifying thewomen's roles and identity during this period. For this purpose‚ the illustrations of the Arabian Nights manuscript by Sani Al-Molk is considered as one of the references recognizing the womanʼs presence during Qajar period.
Mahnaz Shayeste Far, Mahbobe Shahbazi
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RECOGNITION AND ANALYSIS OF THE WORKS OF CONTEMPORARY FEMALE PHOTOGRAPHERS IN IRAN (CASE STUDIES: MARYAM ZANDI, RANA JAVADI, SHADI GHADIRIAN, AZADEH AKHLAGHI, NEWSHA TAVAKOLIAN) [PDF]
During the Qajar era, photography was exclusively in the hands of the king and the courtiers. After many years, it first made its way into the studios of the capital and then into studios in other major cities. The revolution, the war, and the subsequent
Nasrazadani, Maryam Sadat
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Echoes of Empire: The Paintings of Mahmud Khan Malek al-Shuʿarā in Late Qajar Iran (1860–1900)
Abstract This article investigates the artistic milieu of the Qajar dynasty through a critical analysis of the distinctive and sophisticated style of Mahmud Khan Malek al-Shuʿarā (1813–93), contextualizing his work alongside that of his contemporaries, with particular emphasis on Kamal al-Mulk (1859–1940), the most renowned painter of the period ...
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In 2000, two books about Persian painting were published in English that together provide a survey of the latest research on this field of Islamic art. Moreover, they are important contributions to research on the production of illustrated and illuminated codices as luxury items in Islamicate Persian culture, and thus indicate the growing importance of
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Study the position of woman in the works of three contemporary Iranian painters with a feminist approach [PDF]
Today, by various and diverse approaches in the artistic critique and analysis, different aspects of sociological concepts and trends can be deduced from artistic works.
Danesh, Parvaneh +2 more
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A composite universe: arts and society in Istanbul at the end of the eighteenth century [PDF]
Artan, Tulay, Artan, Tülay
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Review of Peter B. Golden, 'Nomads and their neighbours in the Russian steppe' [PDF]
Lane, George
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Review of Bertold Spuler, 'Persian historiography and geography'. Singapore: Pustaka Nasional Pte. Ltd, 2003 [PDF]
Lane, George
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Territory of the visual: photographic materialities and the persistence of Indo-Muslim architecture [PDF]
Griffin, Sushma
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One of the historical schools of Persian painting is the school of Royal Portraiture, the peak of which is seen in the early Qajar era. The central theme of this type of painting is the human body, including young people as well as kings, princes, and dancer women with ideal beauty.
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