Results 71 to 80 of about 188 (125)
Rereading the Themes and Imagery of Birds in the Qajar Wall Paintings of Mazandaran with a Literary and Mystical Approach [PDF]
Due to the creativity of her artists in using decorations, Iran’s architecture is full of beauty, variation, and aesthetic. Bird motifs in historical native buildings, both independently and in combination with other forms, go far beyond the aesthetic ...
Marjaneh Naderi Gorzoddini +1 more
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Analysis, Technical Investigation and Conservation of a Painted Enamel Qajar Pendant
This research aims atinvestigating the chemical composition and the technical features of a painted enamel Qajar pendant. This investigation was followed by cleaning and conservation of the pendant. Optical light microscope (OLM), scanning electron microscope (SEM) combined with energy dispersive X-ray spectroscopy (EDX), Fourier transform infrared ...
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Epiphany of the Ashura Epic in a Coffeehouse Paintings of Qajar Period
Imam Hussein's uprising (as) is one of the most important events in the history of Islam . This events is one of the pivotal events in the history of Shi'ism and had profound effect on the culture of Iran, including literature and art, specially in Coffeehouse Painting.
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Intention and its Relation with Colors Used in Royal Qajar Mural Painting [PDF]
Gholamreza Rahmani, Mahdi Hosseini
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Sleep paralysis in medieval Persia - the Hidayat of Akhawayni (?-983 AD). [PDF]
Golzari SE +11 more
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The remained visual sources of Qajar art works can be studied as one of the referable, valid evidence for identifying thewomen's roles and identity during this period. For this purpose‚ the illustrations of the Arabian Nights manuscript by Sani Al-Molk is considered as one of the references recognizing the womanʼs presence during Qajar period.
Mahnaz Shayeste Far, Mahbobe Shahbazi
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Echoes of Empire: The Paintings of Mahmud Khan Malek al-Shuʿarā in Late Qajar Iran (1860–1900)
Abstract This article investigates the artistic milieu of the Qajar dynasty through a critical analysis of the distinctive and sophisticated style of Mahmud Khan Malek al-Shuʿarā (1813–93), contextualizing his work alongside that of his contemporaries, with particular emphasis on Kamal al-Mulk (1859–1940), the most renowned painter of the period ...
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In 2000, two books about Persian painting were published in English that together provide a survey of the latest research on this field of Islamic art. Moreover, they are important contributions to research on the production of illustrated and illuminated codices as luxury items in Islamicate Persian culture, and thus indicate the growing importance of
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One of the historical schools of Persian painting is the school of Royal Portraiture, the peak of which is seen in the early Qajar era. The central theme of this type of painting is the human body, including young people as well as kings, princes, and dancer women with ideal beauty.
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