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Persian Popular Literature in the Qajar Period

Asian Folklore Studies, 2001
As folklore and popular literature of the past can only be assessed by way of recorded data, contemporary accounts containing larger amounts of information are of particular importance. Following an introduction into the meaning of popular literature in the Persian context, the A. presents and discusses a unique document: a catalogue of printed popular
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The Qajar Uymaq in the Safavid Period, 1500–1722

Iranian Studies, 1978
The Qajar uymāq provided Iran with a central dynasty from 1795 until 1924. A great deal of attention has been paid to the dynastic aspect of the Qajar uymāq, with emphasis being placed on the founders of the dynasty (Āghā Muḥammad Khān and Fatḥ cAlī Shāh and their successors.
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Modern Education in Iran during the Qajar and Pahlavi Periods

History Compass, 2009
Abstract Historical writing on modern education in Iran has changed in the past few decades. Earlier works that focused on the top‐down feature of modern education were very much influenced by modernization theory, nationalist historiography, and the dichotomous notion of reform and reaction.
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The Chief Painters and Chief Illuminators in the Qajar Period

2021
Kaçarlar döneminde (1789-1925) İran’ın görsel sanatlarında kökleri batılılaşmaya dayanan yeni bir akım egemen olmuştur. Ressam ve müzehhipler, bu dönemde ilk olarak saray ileri gelenleri arasında kendilerine yer edinme hakkını elde etmişlerdir. Bu araştırmanın konusu, Kaçar döneminin baş ressam ve baş müzehhipleridir.
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Comments on “The Qajar Uymaq in The Safavid Period, 1500–1722”

Iranian Studies, 1981
The study of Iranian history in the Safavid period is at a relatively rudimentary stage. Despite the wealth of chronicle, biographical, numismatic, documentary, and journalistic material available, few monographic studies of Safavid institutions have been produced. As Minorsky pointed out four decades ago, “not until all the available sources have been
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Protest Culture of the Qajar Period in Iran: Bast‑Nešīnī

2023
Bast‑nešīnī is a method of protest that emerged from one's instinct to protect oneself or defend one's rights. Bast‑nešīnī, which is unknown exactly when it emerged, has also taken on a religious identity over time and has become widespread as an important protest culture in Iranian society.
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The Popularity of Narrative Tile Painting in the Qajar Period

Beiträge zur islamischen Kunst und Archäologie, 2021
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The art of costume in the Qajar Period

European Journal of Humanities and Social Sciences, 2016
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