Comparative Study of the Form of Kings’ Cap in the Safavid and Qajar Eras [PDF]
Jilvah-i hunar, 2019 The crown in Iran has always been a symbol of the power and glory of the kingdom. The crown has historically been one of the most prominent symbols of the greatness and power of kings, which are authentic documents of the historical facts of any period ...
A. Sheikhi, A. Mirsane
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Iran at War: From Cyrus to Soleimani
Middle East Policy, Volume 29, Issue 3, Page 79-93, Autumn (Fall) 2022., 2022 Abstract Iran’s armed forces have made tremendous strides since the decade‐long war with Iraq in the 1980s. Tehran’s cultivation of ideologically sympathetic forces, along with the provision of material help, has allowed Iran to project power and influence throughout the Middle East. Some policy analysts who study Iran’s military development are biased
Ahmed S. Hashim
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Analyzing the Changes in the Structure of Residential Types in the Historical Context of Borujerd City From Qajar to Pahlavi period [PDF]
توسعه پایدار شهری, 2022 Borujerd has a valuable historical context. But due to lifestyle changes, immigration and economic changes, a large part of the valuable context of this city has undergone major transformations and changes in recent decades.
Mohsen Afshari, Farhad Chegeni
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Worlding on the Hudson: Frederic Church and Global Histories of Art
Art History, Volume 45, Issue 3, Page 518-544, June 2022., 2022 The ‘Persian’ interior of the American landscape painter Frederic Church is a place crowded with paintings, objects and architectural ornament orchestrated as an installation that the artist both accrued and designed over a thirty‐year period. This regional orientalism, with its cosmopolitan claims and internationally networked cultural politics, is ...
Mary Roberts
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Education Research International, Volume 2022, Issue 1, 2022., 2022 This study is about an analysis of the content that tries to identify weaknesses of Persian‐English translation in the tourism industry and show the most common and fairly frequent error patterns committed by Iranian translators who are nonnative by using Napu model.
Bahar Pourshahian +2 more
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A Comparative Comparison of Organization Principles of the Spatial Structure of Timchehs in the Historical Bazaar of Isfahan [PDF]
توسعه پایدار شهریTimcheh and historical bazaars are among the commercial buildings of the city, which have played an important role in the trade and commercial exchanges of the cities throughout history, and the physical type of today's shopping centers and arcades is ...
Somayeh Pahlevan, Hossein Soltanzadeh
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West's influence on the Iranian painting from the beginning of Qajar rule to the end of Naseri Era [PDF]
پژوهشهای تاریخی ایران و اسلام, 2017 The Qajar period is one of the most important sections of art in Iran. The explicit effects of West art culminated in the age which the painting were also affected. In the Qajar period painting consciously inspired by the art of the Safavid period.
مصطفی لعل شاطری +2 more
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A Study of an Illustrated Manuscript of the "Nameh-ye Khosravan" and Its Reflection in the Qajar Visual Arts [PDF]
نگره, 2015 Nameh-ye_Khosravan is a work of Jalal al-Din Mirza, Son of Fath Ali Shah Qajar, Which was written during the reign of Naser al-Din Shah Qajar. In accordance to this era’s way of thinking, the illustrated manuscript of the Nameh-ye Khosravan is ...
Mahmonir Shirazi +3 more
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Study of the Features and Structure of the Embellishments of Facades in Tiled Buildings in Shiraz [PDF]
نگره, 2018 The Qajar era is one of the glorious periods of Iranian architecture, in which the doors are one of the topics used mainly for the decoration of the building.
Elahe PanjehBashi, fatemeh doulab
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An Analysis of the Structure of Narrative in the Ghahraman Mirza Ein Al-Saltanah’s Diary [PDF]
تاریخ نگری و تاریخ نگاری, 2020 Ein Al-Saltanah can be one of the most important memoirists of the Qajar era, was one of the Mohammad Shah Qajar descendants. He began writing memories at the age of eleven and kept writing until a month before his death. A precise description of details
Somayeh Abbasi
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