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2023
If her cerebral nature makes Rachilde "a French cousin" of Edgar Allan Poe, the same bloody irony unites the two imaginations in the same taste for macabre fantastic, the same fondness for the bizarre, the dream, animality, monstrosity, mutilated limbs and the same attraction to the games of perversion and those of eros and Thanatos.
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If her cerebral nature makes Rachilde "a French cousin" of Edgar Allan Poe, the same bloody irony unites the two imaginations in the same taste for macabre fantastic, the same fondness for the bizarre, the dream, animality, monstrosity, mutilated limbs and the same attraction to the games of perversion and those of eros and Thanatos.
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2023
Rachilde was a French writer who developed her literary career from the late 19th century to the early 20th. Famous due to her success of her novel Monsieur Vénus (1884), Rachilde developed the deconstruction of the cisgender heteronormative system in most of her novels, showing through her characters not only the multiple possibilities among sex ...
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Rachilde was a French writer who developed her literary career from the late 19th century to the early 20th. Famous due to her success of her novel Monsieur Vénus (1884), Rachilde developed the deconstruction of the cisgender heteronormative system in most of her novels, showing through her characters not only the multiple possibilities among sex ...
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Études littéraires
Le présent article explore les implicites sexistes et sexuels dans deux romans fin de siècle mettant en scène des féminicides : Monsieur Vénus (1884) de Rachilde et Bruges-la-Morte (1892) de Rodenbach. Par un retour sur la génétique des oeuvres, il trace
Elinor Knutsen
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Le présent article explore les implicites sexistes et sexuels dans deux romans fin de siècle mettant en scène des féminicides : Monsieur Vénus (1884) de Rachilde et Bruges-la-Morte (1892) de Rodenbach. Par un retour sur la génétique des oeuvres, il trace
Elinor Knutsen
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La nouvelle réception de Rachilde ? Éditer La Tour d’amour
Acta FabulaCet article est un compte-rendu du livre : Rachilde, La Tour d’amour, Paris : Gallimard, coll. « L’Imaginaire », 2024, 192 p., EAN 9782070747498.
Camille Islert
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Eccentric Pleasure as Power: The Taste of the Colonies in Rachilde’s La jongleuse
l'esprit créateur:This article interrogates Rachilde’s use of overseas experiences as a means to empower her female protagonist, Eliante, with a form of autonomy that exceeds the limits of the Hexagon.
Adeline Soldin
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2023
Le présent article examine les modalités du déplacement éducationnel, qui correspond à une redéfinition esthético-ontologique de l’apprentissage amoureux opérée par Rachilde qui propose, comme le fit Flaubert, un manifeste de morale amoureuse revisitée.
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Le présent article examine les modalités du déplacement éducationnel, qui correspond à une redéfinition esthético-ontologique de l’apprentissage amoureux opérée par Rachilde qui propose, comme le fit Flaubert, un manifeste de morale amoureuse revisitée.
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« S’enrôler serait s’effacer » : Rachilde face à la première vague féministe
Acta FabulaCet article est un compte-rendu du livre : Rachilde, Pourquoi je ne suis pas féministe, présenté par Franck Javourez, Paris, La part commune, 2024, 124 p., EAN 9782844184757.
Valentine Bovey
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‘Ça n’empêche pas d’être un homme’: Requeering Masculinity in Rachilde’s Monsieur Vénus (1884)
, 2020Many have struggled to argued whether Rachilde reverses gender binaries or reinforces them by ensuring the continuation of active and passive partners within the narrative of Monsieur Vénus.
Mathew Rickard
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‘La Décadente a fait son temps’: Rachilde and Georges de Peyrebrune's Une décadente
Nottingham French Studies, 2020In 1886, Georges de Peyrebrune (1841–1917) published the novella Une décadente, a scarcely veiled depiction – and biting critique – of Rachilde (1860–1953) and her unconventional lifestyle. In her depiction of Hélione, a fictionalized version of Rachilde,
Sharon Larson
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2020
A writing technique that both Rachilde and Mirbeau often lean towards is rewriting. They use similar themes or republish texts. The two writers are also literary critics of a good reputation and honest artists, it’s thus interesting to look at the reasons for this "recycling", instead of hastily concluding their laziness or lack of invention.
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A writing technique that both Rachilde and Mirbeau often lean towards is rewriting. They use similar themes or republish texts. The two writers are also literary critics of a good reputation and honest artists, it’s thus interesting to look at the reasons for this "recycling", instead of hastily concluding their laziness or lack of invention.
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