Results 21 to 30 of about 36,581 (218)
Performing Empire: Theater and Colonialism in Caroline Link's Nirgendwo in Afrika [PDF]
, 2020 In Caroline Link's popular 2001 film Nirgendwo in Afrika, a Jewish family fleeing the Holocaust finds refuge in British-controlled Kenya. Theater plays a crucial role in the film: Members of the Redlich family explicitly call upon one another to engage ...
Erickson, Peter
core
Making Progress: Ellison, Rinehart, and the Critic
European Journal of American Studies, 2015 Since Ralph Ellison’s death, the draft materials of his second, unfinished novel have become available, in addition to his notes for Invisible Man (1952).
Cheryl Alison
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Ellison’s White Liberal Rhinehart: the Negro American Core of Book I of Three Days Before The Shooting… [PDF]
Литература двух Америк, 2018 Composed over a nearly twenty-year period following Brown v. Board of Education, Book I of Three Days Before the Shooting… renders an intricate narrative of the identification with blackness, and subsequent ideological transformation, required of white ...
Benji de la Piedra
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"I Believe in Nothing If Not in Action": African American Humanism and (Embodied) Agency
Current Objectives of Postgraduate American Studies, 2016 This article explores African American humanism and reflects on its relationship with Enlightenment humanism, anti-, and posthumanism. It regards African American humanism as an alternative to these philosophies based on an analysis of Ralph Ellison’s ...
Alexandra Hartmann
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Alienated, Anxious, American: The Crisis of Coming of Age in Ralph Ellison’s 'Invisible Man' and the Late Harlem Bildungsroman [PDF]
Limina: A Journal of Historical and Cultural Studies, 2014 Themes of fear and loathing are often associated with the narrative trajectory of the twentieth century American Bildungsroman. In the traditional European prototype, coming-of-age is charted through the representation of ordeals and life lessons which ...
Tamlyn E. Avery
doaj
Habiter le monde avec des sons
Géographie et Cultures, 2010 In the history of Afro-American culture, music has always occupied a special place. Black writers, artists, philosophers and sociologists etc. have all felt obliged to pay their debt to or set their aesthetic goals based on music’s achievements.
Emmanuel Parent
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Record the track and track the record: On the call‐and‐response dynamics in Hip Hop practice
Journal of Linguistic Anthropology, Volume 36, Issue 1, May 2026.Abstract Call‐and‐response has primarily been studied in Black Atlantic artistic traditions. We transpose call‐and‐response dynamics to the writing and recording process of a Hip Hop studio session. Combining collaborative autoethnography with formal analysis and using Communication Accommodation Theory's conceptual parameters of conscious and ...
Dastan Abdali, Steven Gilbers
wiley +1 more source
Age and ethnic differences in volumetric breast density in new zealand women: a cross-sectional study. [PDF]
PLoS ONE, 2013 Breast cancer incidence differs by ethnicity in New Zealand (NZ) with Māori (the indigenous people) women having the highest rates followed by Pakeha (people primarily of British/European descent), Pacific and Asian women, who experience the lowest rates.
Lis Ellison-Loschmann +5 more
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Australian Journal of Politics &History, Volume 71, Issue 4, Page 669-700, December 2025.Australian public debates about race have featured intense contests about free speech and identity, including about the federal Racial Discrimination Act (RDA). While these developments may be understood as reflecting the contemporary ascendency of “culture war” politics, they may in fact follow a familiar pattern of political contestation around ...
Tim Soutphommasane +4 more
wiley +1 more source
German Life and Letters, Volume 78, Issue 4, Page 544-566, October 2025.ABSTRACT This article examines Anna Maria Ortese's collection of journalistic reportages and short stories, Silenzio a Milano (Silence in Milan, 1958), and Ingeborg Bachmann's speech ‘Ein Ort für Zufälle’ (17 October 1964). It focuses on their topophobic images of Milan and West Berlin, the anxious representations of these post‐1945 urban landscapes ...
Roberto Interdonato
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