Results 131 to 140 of about 592 (175)
Some of the next articles are maybe not open access.
2018
This chapter focuses on the multivocal nature of the Ramayana epic in Indian graphic narratives from the 1970s to the present. There are two dominant narrative trends that arise in these graphic retellings. The first trend is to uphold Rama as the ideal god-king by presenting Rama as the clear hero of the epic story both textually and visually.
openaire +1 more source
This chapter focuses on the multivocal nature of the Ramayana epic in Indian graphic narratives from the 1970s to the present. There are two dominant narrative trends that arise in these graphic retellings. The first trend is to uphold Rama as the ideal god-king by presenting Rama as the clear hero of the epic story both textually and visually.
openaire +1 more source
Journal of the American Oriental Society, 1975
B. A. van Nooten, R. K. Narayan
openaire +1 more source
B. A. van Nooten, R. K. Narayan
openaire +1 more source
The Ramayana, the story of Rama, is the most popular literature in India. Versions exist in every language and every art form in India. It is commonly known throughout India, at every level of society, and many villages dramatize the “Ram Lila” as an annual holiday pageant. An epic televised version mesmerized India for seventy-eight Sunday mornings in
openaire +1 more source
openaire +1 more source
Sita neglected in the Ramayana
The Faculty Journal of Arts, Rajshahi UniversityThis article represents a picture of female character Sita, the wife of Rama, the hero of the epic Ramayana. We have tried to explain the social system, coronation ceremony, the bondage between husband and wife, between the brothers. The advanced scientific materials such as Pushpaka chariot, the construction of the bridge over sea and journey towards ...
openaire +1 more source
Listening to a Different Voice: Gendering Dharma Through Sita of the Ramayana
2023Joseph Martin JOSÉ
exaly