Results 21 to 30 of about 668 (129)

The Efficiency of Polymeric Coatings for the Conservation of Ancient Egyptian Wall Paintings, El-Qurna Necropolis, Upper Egypt [PDF]

open access: yesGe-conservación, 2012
The present work aims at studying the long-term protection of damaged Egyptian wall paintings (tomb of Ameneminet, No. TT277, Ramesside Period), El-Qurna necropolis, Upper Egypt.
Hussein Hassan Marey Mahmoud
doaj   +1 more source

Any news from Dahshur? : Recording Ramesside secondary epigraphy in the South Temple of Senwosret III

open access: yes, 2022
Following the report on graffiti in the precinct of Senwosret III at Dahshur, and an endorsement of the Memphite secondary epigraphy as a significant resource for New Kingdom hieratic studies, researches in the pyramid complex at Dahshur and its graffiti
Navratilova, Hana
core   +1 more source

Ramesside Scarabs Simulating Middle Bronze Age Canaanite Prototypes: Canaanite or Egyptian?. Ägypten und Levante|Ägypten und Levante XXVII 27|

open access: yes, 2017
Scarabs found in Ramesside contexts in the Levant are generally considered as Egyptian imports. Yet, the possibility of local scarab production in the southern Levant during the early Ramesside period was considered in the case of scarabs displaying an ...

core   +2 more sources

Queen Nefertari, the Royal Spouse of Pharaoh Ramses II: A Multidisciplinary Investigation of the Mummified Remains Found in Her Tomb (QV66).

open access: yesPLoS ONE, 2016
Queen Nefertari, the favourite Royal Consort of Pharaoh Ramses II (Ancient Egypt, New Kingdom, 19th Dynasty c. 1250 BC) is famous for her beautifully decorated tomb in the Valley of the Queens.
Michael E Habicht   +12 more
doaj   +1 more source

QURAYYAH PAINTED WARE OUTSIDE THE HEJAZ: EVIDENCE OF A COMMUNITY OF PRACTICE IN THE LATE BRONZE AND EARLY IRON AGES?

open access: yesOxford Journal of Archaeology, Volume 43, Issue 4, Page 332-356, November 2024.
Summary Qurayyah Painted Ware (QPW) is the most solid evidence of contacts between the Hejaz and the southern Levant in the Late Bronze and Early Iron Ages. However, even after decades of research, there is still much uncertainty regarding the chronology of these contacts and their nature.
Assaf Kleiman   +2 more
wiley   +1 more source

A social and historical interpretation of Ramesside period votive stelae [PDF]

open access: yes, 2006
The following thesis analyses a dataset of 436 Egyptian votive stelae dating to the Ramesside period (1295-1069 ВСЕ), from six sites: Deir el Medina at Thebes (264 stelae), non-Deir el Medina stelae (55) from the Theban area, Abu Simbel (21 stelae) and ...
Exell, Karen
core  

Exploring Artistic Hierarchies among Painters in Ramesside Deir el-Medina

open access: yesArts
Scholarship has described Deir el-Medina as a sophisticated community composed of highly trained and educated individuals, at least compared to most ancient Egyptian villages that were primarily focused on agrarian labor.
Jennifer Miyuki Babcock
doaj   +1 more source

A Shield Bearer and Warrior of Ramesside Times

open access: yes, 1997
A Ramesside stela fragment featuring a shield bearer and a warrior prompts consideration of these positions in military contexts of the period. It is suggested that at best the shield bearer played only a semi-military role, his court duties being more ...
James K. Thomson
core   +1 more source

His kingship is eternal: a study of rhetorical stelae from the Ramesside period

open access: yes, 2021
"Rhetorical stelae" are a collection of monumental texts dating to the Ramesside Period of New Kingdom Egypt, whose sole purpose, it appears, was to praise and promote the king as both a victorious and pious devotee to the gods, without reference to a ...
Brenan Dew (12310889)
core   +1 more source

La hyène dans les assiettes : un particularisme égyptien ?

open access: yesKentron, 2019
Social markers occur frequently in elite tombs in Ancient Egypt. One of the strangest to our eyes is found only in Old Kingdom tombs of the 4th to 6th dynasties: the representation of hyenas in processions of sacrificial animals and scenes of this animal
Dominique Farout
doaj   +1 more source

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