National heroes, disposable workers. How collective action in the health and social care sector during the pandemic negotiated with the self-sacrificing worker ideal. [PDF]
Abstract During the pandemic, the ideal of the self‐sacrificing health and social care worker became both more powerful and more unsustainable than ever. This article explores the manner and extent to which health and social care workers collectively challenged this ideal.
Galanti C.
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In enemy hands: the Byzantine experience of captivity between the seventh and tenth centuries. [PDF]
The present paper deals with forced migration experienced by subjects of the Byzantine Empire captured by foreign enemies in the context of warfare between the seventh and the tenth centuries. The focus of the first part is on the scenarios faced by individuals and groups when an enemy had taken control of a settlement or a larger territory. The second
Simeonov G.
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In what sense architecture is complex: the role of drawing in architectural design
This essay traces the fundamental relationship between architecture as a discipline and a work of architecture. Architecture and works of architecture are constantly swapping places within a circle, an experience which, over time, has built up and ...
Lamberto Amistadi
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Dialectics of Sign and Symbol and the Utterance of Archetype Theory
Abstract Debates surrounding Jung’s archetype theory could be characterized as tacit attempts to contend with the concept’s dual function as referring to something known to psychologists (sign) and standing for something that is fundamentally unknowable (symbol).
Raya Jones
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Pleading Nolo Contendere? Aquinas vs. Bonaventure on Poetry1
Abstract While the story of Thomas Aquinas and Bonaventure of Bagnoregio engaging in a friendly contest, at the behest of Pope Urban IV, to compose the Mass and Office of Corpus Christi is likely a pious fiction, one can still ponder the fascinating hypothetical scenario: had such a contest taken place, who might have won?
Jose Isidro Belleza
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Staging the Imagined City: Aretino in Rome and London
Abstract This article explores the theme of ‘cityscapes’, and Aretino as a writer of the urban experience, by focussing on the city as an unknowable and anonymous space, especially to social outsiders. It will first examine how Aretino portrays Rome in his early comedy Cortigiana (1525) as a confusing and socially stratified space when experienced from
Kate De Rycker
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Minimum drawing, maximum dwelling. Existenzminimum forms between drawing and design
The trouble of the passage from the immediacy of the ideative drawing to the exactness of the executive drawing is particularly evident in the cases in which the realization of the project foresees the definition of standards, possibly to reproduce in ...
Giovanna Ramaccini
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‘I was Born in One City, but Raised in Another’: Aretino's Perugian Apprenticeship
Abstract According to his apocrypha, Aretino was forced to flee his hometown of Arezzo after penning some anti‐papal verses. Similarly, it is claimed that he fled Perugia ten years later after painting a lute into the hands of a depiction of the Maddalena, which stood in one of the town's piazze.
William T. Rossiter
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Il presente saggio esamina i processi cognitivi in una prospettiva evolutiva, ecologica e sistemica. Prendendo le mosse dalla teoria darwiniana e dallo sviluppo della Sintesi Evolutiva Estesa, il riferimento alla biologia evoluzionistica permette un ...
Agostino Marconi
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Il fuoco della favola. Romanzo e città nell'«Adalgisa» di Gadda
How does a narrator use that scenic, articulate and composite material that we call ‘city’? To give an example, how and to what purpose is Carlo Emilio Gadda’s page – stylistically brimful, and apparently scarcely narrative – named after a city (Milano)?
Riccardo Stracuzzi
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